5.411 Billeder af køkken med bordplade i kalksten
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FINNE ArchitectsArchitect Nils Finne has created a new, highly crafted modern kitchen in his own traditional Tudor home located in the Queen Anne neighborhood of Seattle. The kitchen design relies on the creation of a very simple continuous space that is occupied by intensely crafted cabinets, counters and fittings. Materials such as steel, walnut, limestone, textured Alaskan yellow cedar, and sea grass are used in juxtaposition, allowing each material to benefit from adjacent contrasts in texture and color.
The existing kitchen was enlarged slightly by removing a wall between the kitchen and pantry. A long, continuous east-west space was created, approximately 25-feet long, with glass doors at either end. The east end of the kitchen has two seating areas: an inviting window seat with soft cushions as well as a desk area with seating, a flat-screen computer, and generous shelving for cookbooks.
At the west end of the kitchen, an unusual “L”-shaped door opening has been made between the kitchen and the dining room, in order to provide a greater sense of openness between the two spaces. The ensuing challenge was how to invent a sliding pocket door that could be used to close off the two spaces when the occasion required some separation. The solution was a custom door with two panels, and series of large finger joints between the two panels allowing the door to become “L” shaped. The resulting door, called a “zipper door” by the local fabricator (Quantum Windows and Doors), can be pushed completely into a wall pocket, or slid out and then the finger joints allow the second panel to swing into the “L”-shape position.
In addition to the “L”-shaped zipper door, the renovation of architect Nils Finne’s own house presented other opportunity for experimentation. Custom CNC-routed cabinet doors in Alaskan Yellow Cedar were built without vertical stiles, in order to create a more continuous texture across the surface of the lower cabinets. LED lighting was installed with special aluminum reflectors behind the upper resin-panel cabinets. Two materials were used for the counters: Belgian Blue limestone and Black walnut. The limestone was used around the sink area and adjacent to the cook-top. Black walnut was used for the remaining counter areas, and an unusual “finger” joint was created between the two materials, allowing a visually intriguing interlocking pattern , emphasizing the hard, fossilized quality of the limestone and the rich, warm grain of the walnut both to emerge side-by-side. Behind the two counter materials, a continuous backsplash of custom glass mosaic provides visual continuity.
Laser-cut steel detailing appears in the flower-like steel bracket supporting hanging pendants over the window seat as well as in the delicate steel valence placed in front of shades over the glass doors at either end of the kitchen.
At each of the window areas, the cabinet wall becomes open shelving above and around the windows. The shelving becomes part of the window frame, allowing for generously deep window sills of almost 10”.
Sustainable design ideas were present from the beginning. The kitchen is heavily insulated and new windows bring copious amounts of natural light. Green materials include resin panels, low VOC paints, sustainably harvested hardwoods, LED lighting, and glass mosaic tiles. But above all, it is the fact of renovation itself that is inherently sustainable and captures all the embodied energy of the original 1920’s house, which has now been given a fresh life. The intense craftsmanship and detailing of the renovation speaks also to a very important sustainable principle: build it well and it will last for many, many years!
Overall, the kitchen brings a fresh new spirit to a home built in 1927. In fact, the kitchen initiates a conversation between the older, traditional home and the new modern space. Although there are no moldings or traditional details in the kitchen, the common language between the two time periods is based on richly textured materials and obsessive attention to detail and craft.
Bartel Kitchen and BathThis Kitchen was designed with Natural Knotty Hickory cabinets, Red Indian ceramic tile, and lime stone counter tops. The island is a split level featuring a cook-top and bar that seats 7. Pin lights give this Kitchen a finishing touch.
Marquis Fine CabinetryProject Number: M1176
Design/Manufacturer/Installer: Marquis Fine Cabinetry
Collection: Milano
Finishes: White Lacatto (Matte), Pecky Cypress
Features: Adjustable Legs/Soft Close (Standard), Appliance Panels, Under Cabinet Lighting, Floating Shelves, Matching Toe-Kick, Trash Bay Pullout (Standard), Dovetail Drawer Box, Chrome Tray Dividers, Maple Peg Drawer System, Maple Utility Tray Insert, Maple Cutlery Tray Insert, Blind Corner Pullout
Red Rock Pools and Spas and Red Rock ContractorsAll Cedar Log Cabin the beautiful pines of AZ
Elmira Stove Works appliances
Photos by Mark Boisclair
Studio DearbornA spacious Tudor Revival in Lower Westchester was revamped with an open floor plan and large kitchen with breakfast area and counter seating. The leafy view on the range wall was preserved with a series of large leaded glass windows by LePage. Wire brushed quarter sawn oak cabinetry in custom stain lends the space warmth and old world character. Kitchen design and custom cabinetry by Studio Dearborn. Architect Ned Stoll, Stoll and Stoll. Pietra Cardosa limestone counters by Rye Marble and Stone. Appliances by Wolf and Subzero; range hood by Best. Cabinetry color: Benjamin Moore Brushed Aluminum. Hardware by Schaub & Company. Stools by Arteriors Home. Shell chairs with dowel base, Modernica. Photography Neil Landino.
Sussan Lari Architect PCPhotography: Peter Rymwid
8500 SF New Single Family Home in Kings Point, NY on the North Shore of Long Island.
Jane EllisonKitchen-Family Fare
Kitchen features 10’ ceilings, limestone counters, and a cutting/work surface of African bubinga wood. The Venetian plaster range hood, simple cabinets and floating shelves evoke an Earthy English cottage.
The easy-care “green” floor is renewable cork covered with polyurethane. “We need more green awareness. If it’s a product that holds up in my house, I feel comfortable recommending it to clients,” she says.
Gail Green InteriorsSleek stainless steel open kitchen for a family with cooking, prep, sitting, desk, dining, and reading areas.
Urban Design AssociatesSouthwestern kitchen made with rustic wood.
Architect: Urban Design Associates
Builder: R-Net Custom Homes
Interiors: Billie Springer
Photography: Thompson Photographic
Studio DearbornThis spacious kitchen in Westchester County is flooded with light from huge windows on 3 sides of the kitchen plus two skylights in the vaulted ceiling. The dated kitchen was gutted and reconfigured to accommodate this large kitchen with crisp white cabinets and walls. Ship lap paneling on both walls and ceiling lends a casual-modern charm while stainless steel toe kicks, walnut accents and Pietra Cardosa limestone bring both cool and warm tones to this clean aesthetic. Kitchen design and custom cabinetry, built ins, walnut countertops and paneling by Studio Dearborn. Architect Frank Marsella. Interior design finishes by Tami Wassong Interior Design. Pietra cardosa limestone countertops and backsplash by Marble America. Appliances by Subzero; range hood insert by Best. Cabinetry color: Benjamin Moore Super White. Hardware by Top Knobs. Photography Adam Macchia.
FINNE ArchitectsThe Magnolia Renovation has been primarily concerned with the design of a new, highly crafted modern kitchen in a traditional home located in the Magnolia neighborhood of Seattle. The kitchen design relies on the creation of a very simple continuous space that is occupied by highly crafted pieces of furniture, cabinets and fittings. Materials such as steel, bronze, bamboo, stained elm, woven cattail, and sea grass are used in juxtaposition, allowing each material to benefit from adjacent contrasts in texture and color.
The existing kitchen and dining room consisted of separate rooms with a dividing wall. This wall was removed to create a long, continuous, east-west space, approximately 34 feet long, with cabinets and counters along each wall. The west end of the space has glass doors and views to the Puget Sound. The east end also has glass doors, leading to a small garden space. In the center of the new kitchen/dining space, we designed two long, custom tables from reclaimed elm planks (20" wide, 2" thick). The first table is a working kitchen island, the second table is the dining table. Both tables have custom blued-steel bases with laser-cut bronze overlay. We also designed custom stools with blued-steel bases and woven cattail rush seats. The lighting of the kitchen consists of 15 small, candle-like fixtures arranged in a random array with custom steel brackets. The cabinets are custom designed, with bleached Alaskan yellow cedar frames and bamboo panels. The counters are a dark limestone with a beautiful stone mosaic backsplash with a bamboo-like pattern. Adjacent to the backsplash is a long horizontal window with a “beargrass” resin panel placed on the interior side of the window. The “beargrass” panel contains actual sea grasses, which are backlit by the window behind the panel.
Photo: Benjamin Benschneider
Doug Walter ArchitectPhotos by Philip Wegener Photography.
This renovated Cherry Creek townhome lost it's 1980's almond formica kitchen, replaced by this unfitted-look distressed cherry kitchen. Countertops are at three different heights, including a 33" high baking center at the stained cabinet. Large single bowl copper sink. Wolf and SubZero appliances. Cabinets were stacked for maximum storage. Kitchen is open to family room on left and breakfast nook behind camera.
5.411 Billeder af køkken med bordplade i kalksten
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