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Smith & Ragsdale Interior DesignWhile this new home had an architecturally striking exterior, the home’s interior fell short in terms of true functionality and overall style. The most critical element in this renovation was the kitchen and dining area, which needed careful attention to bring it to the level that suited the home and the homeowners.
As a graduate of Culinary Institute of America, our client wanted a kitchen that “feels like a restaurant, with the warmth of a home kitchen,” where guests can gather over great food, great wine, and truly feel comfortable in the open concept home. Although it follows a typical chef’s galley layout, the unique design solutions and unusual materials set it apart from the typical kitchen design.
Polished countertops, laminated and stainless cabinets fronts, and professional appliances are complemented by the introduction of wood, glass, and blackened metal – materials introduced in the overall design of the house. Unique features include a wall clad in walnut for dangling heavy pots and utensils; a floating, sculptural walnut countertop piece housing an herb garden; an open pantry that serves as a coffee bar and wine station; and a hanging chalkboard that hides a water heater closet and features different coffee offerings available to guests.
The dining area addition, enclosed by windows, continues to vivify the organic elements and brings in ample natural light, enhancing the darker finishes and creating additional warmth.
Photography by Ira Montgomery
Shenton Architects LLPThis Queen Anne style five story townhouse in Clinton Hill, Brooklyn is one of a pair that were built in 1887 by Charles Erhart, a co-founder of the Pfizer pharmaceutical company.
The brownstone façade was restored in an earlier renovation, which also included work to main living spaces. The scope for this new renovation phase was focused on restoring the stair hallways, gut renovating six bathrooms, a butler’s pantry, kitchenette, and work to the bedrooms and main kitchen. Work to the exterior of the house included replacing 18 windows with new energy efficient units, renovating a roof deck and restoring original windows.
In keeping with the Victorian approach to interior architecture, each of the primary rooms in the house has its own style and personality.
The Parlor is entirely white with detailed paneling and moldings throughout, the Drawing Room and Dining Room are lined with shellacked Oak paneling with leaded glass windows, and upstairs rooms are finished with unique colors or wallpapers to give each a distinct character.
The concept for new insertions was therefore to be inspired by existing idiosyncrasies rather than apply uniform modernity. Two bathrooms within the master suite both have stone slab walls and floors, but one is in white Carrara while the other is dark grey Graffiti marble. The other bathrooms employ either grey glass, Carrara mosaic or hexagonal Slate tiles, contrasted with either blackened or brushed stainless steel fixtures. The main kitchen and kitchenette have Carrara countertops and simple white lacquer cabinetry to compliment the historic details.
Architecture FactoryBrett Boardman
A bespoke steel and timber dining table slides out from under a concrete island bench to create a flexible space. Stainless steel was used to create a unique set of cabinets, benchtop and splashback, framed by gloss black cabinetry on the sides and top.
235 Billeder af køkken med skabe i rustfrit stål og sort stænkplade
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