- Spisestue
6.599 Billeder af spisestue med betongulv
- Mellem parket (64316)
- Mørk parket (43410)
- Lys parket (41373)
- Keramiske fliser (9052)
- Porcelænsfliser (8487)
- Beton (6599)
- Gulvtæppe (5347)
- Marmor (3013)
- Laminat (2846)
- Vinyl (2246)
- Travertin (2235)
- Kalksten (1624)
- Malet træ (1333)
- Terracotta-fliser (1048)
- Skifer (979)
- Bambus (830)
- Krydsfinér (791)
- Linoleum (362)
- Mursten (315)
- Kork (225)
- Tatami (71)
Light filled dining area with power floated concrete floor and exposed brickwork and beams dressed in white. Low profile industrial glazing opens onto the garden visible beyond.
Photography: Tim Crocker
Photogrpahy: Tim Crocker
Herzstück des Hauses und Treffpunkt der Familie ist der massive, naturbelassene Eichentisch. Der Kamin ist, wie der Boden, aus einer Kalkoberfläche. Über die Bar in der Durchreiche ergibt sich ein schöner räumlicher Zusammenhang mit der Küche und grosszügige Durchblicke.
Foto: Sorin Morar
Great Room anchored by the large fireplace with large sliding glass doors that open up to the outside patios. Interior Design by Tate Studio Architects. Photo by Thompson Photographic.
The brief for this project was for the house to be at one with its surroundings.
Integrating harmoniously into its coastal setting a focus for the house was to open it up to allow the light and sea breeze to breathe through the building. The first floor seems almost to levitate above the landscape by minimising the visual bulk of the ground floor through the use of cantilevers and extensive glazing. The contemporary lines and low lying form echo the rolling country in which it resides.
Der LIKE Tisch besticht durch schöne Rundungen, seine organische Form und ein aufwendiges Massivholz Untergestell. Der LIKE Tisch ist kombinierbar mit leichten Sitzmöbeln und verleiht jedem Wohnraum einen skandinavischen Touch.
The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith