196 Billeder af spisestue med pejseindramning i beton og gråt gulv
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Prentiss Balance Wickline ArchitectsThe main space is a single, expansive flow outward toward the sound. There is plenty of room for a dining table and seating area in addition to the kitchen. Photography: Andrew Pogue Photography.
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Astrid Interior Design Ltd.Embellishment and few building work like tiling, cladding, carpentry and electricity of a double bedroom and double bathrooms included one en-suite flat based in London.
Betty Wasserman Art & InteriorsThe kitchen and breakfast area are kept simple and modern, featuring glossy flat panel cabinets, modern appliances and finishes, as well as warm woods. The dining area was also given a modern feel, but we incorporated strong bursts of red-orange accents. The organic wooden table, modern dining chairs, and artisan lighting all come together to create an interesting and picturesque interior.
Project Location: The Hamptons. Project designed by interior design firm, Betty Wasserman Art & Interiors. From their Chelsea base, they serve clients in Manhattan and throughout New York City, as well as across the tri-state area and in The Hamptons.
For more about Betty Wasserman, click here: https://www.bettywasserman.com/
DGK ArchitectsThis home provides a luxurious open flow, opulent finishes, and fluid cohesion between the spaces that give this small rear block home a grandness and larger than life feel.
– DGK Architects
Betty Wasserman Art & Interiors: The HamptonsThe kitchen and breakfast area are kept simple and modern, featuring glossy flat panel cabinets, modern appliances and finishes, as well as warm woods. The dining area was also given a modern feel, but we incorporated strong bursts of red-orange accents. The organic wooden table, modern dining chairs, and artisan lighting all come together to create an interesting and picturesque interior.
Project completed by New York interior design firm Betty Wasserman Art & Interiors, which serves New York City, as well as across the tri-state area and in The Hamptons.
For more about Betty Wasserman, click here: https://www.bettywasserman.com/
To learn more about this project, click here: https://www.bettywasserman.com/spaces/hamptons-estate/
KrimsonHAUSThe dining room was moved to be centrally located on the first floor of the home. We decorated the spaces with warm neutrals accompanied with greens, blues and teals. Adding natural elements with amazing smells helps bring the room to another level by utilizing all of your senses.
swa.studio /// Sebastian Wiedemann ArchitekturHerzstück des Hauses und Treffpunkt der Familie ist der massive, naturbelassene Eichentisch. Der Kamin ist, wie der Boden, aus einer Kalkoberfläche. Über die Bar in der Durchreiche ergibt sich ein schöner räumlicher Zusammenhang mit der Küche und grosszügige Durchblicke.
Foto: Sorin Morar
23bassi | Studio di architetturaLa sala da pranzo è in continuità con la cucina Boffi con il piano in acciaio
sono state create con la CLEAF delle pareti con un decoro grafico ed essenziale che impreziosiscono le finiture.
le Boiserie sono in parte apribili e in parte solo decorative
foto marco Curatolo
196 Billeder af spisestue med pejseindramning i beton og gråt gulv
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