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Markalunas Architecture Group
Lake Front Country Estate Living Room, designed by Tom Markalunas, built by Resort Custom Homes. Photography by Rachael Boling.
Kyle Hunt & Partners, Incorporated
James Kruger, LandMark Photography
Interior Design: Martha O'Hara Interiors
Architect: Sharratt Design & Company
R. Cartwright Design
The two-story, stacked marble, open fireplace is the focal point of the formal living room. A geometric-design paneled ceiling can be illuminated in the evening.
Heidi Zeiger
L Marie Interior Design
Clients' first home and there forever home with a family of four and in laws close, this home needed to be able to grow with the family. This most recent growth included a few home additions including the kids bathrooms (on suite) added on to the East end, the two original bathrooms were converted into one larger hall bath, the kitchen wall was blown out, entrying into a complete 22'x22' great room addition with a mudroom and half bath leading to the garage and the final addition a third car garage. This space is transitional and classic to last the test of time.
Garret Cord Werner Architects & Interior Designers
Architecture by Bosworth Hoedemaker
& Garret Cord Werner. Interior design by Garret Cord Werner.
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
AXIS Productions
the great room was enlarged to the south - past the medium toned wood post and beam is new space. the new addition helps shade the patio below while creating a more usable living space. To the right of the new fireplace was the existing front door. Now there is a graceful seating area to welcome visitors. The wood ceiling was reused from the existing home.
WoodStone Inc, General Contractor
Home Interiors, Cortney McDougal, Interior Design
Draper White Photography
Salt Interiors
Salt Interiors custom joinery was featured in the August issue of House & Garden Magazine. For this project, Salt Interiors worked with Senior Interior Designer for Coco Republic, Natasha Levak to provide custom joinery for the 1930s Spanish-revival home. Levak’s vision for a neutral palette helped to determine the polyurethane paint for the renovated joinery unit Salt installed in the room.
Gaile Guevara
Woodvalley Residence
Fireplace | Dry stacked gray blue limestone w/ cast concrete hearth
Floor | White Oak Flat Sawn, with a white finish that was sanded off called natural its a 7% gloss. Total was 4 layers. white finish, sanded, refinished. Installed and supplies around $20/sq.ft. The intention was to finish like natural driftwood with no gloss. You can contact the Builder Procon Projects for more detailed information.
http://proconprojects.com/
2011 © GAILE GUEVARA | PHOTOGRAPHY™ All rights reserved.
:: DESIGN TEAM ::
Interior Designer: Gaile Guevara
Interior Design Team: Layers & Layers
Renovation & House Extension by Procon Projects Limited
Architecture & Design by Mason Kent Design
Landscaping provided by Arcon Water Designs
Finishes
The flooring was engineered 7"W wide plankl, white oak, site finished in both a white & gray wash
Timothy James Interiors
COUNTRY HOUSE INTERIOR DESIGN PROJECT
We were thrilled to be asked to provide our full interior design service for this luxury new-build country house, deep in the heart of the Lincolnshire hills.
Our client approached us as soon as his offer had been accepted on the property – the year before it was due to be finished. This was ideal, as it meant we could be involved in some important decisions regarding the interior architecture. Most importantly, we were able to input into the design of the kitchen and the state-of-the-art lighting and automation system.
This beautiful country house now boasts an ambitious, eclectic array of design styles and flavours. Some of the rooms are intended to be more neutral and practical for every-day use. While in other areas, Tim has injected plenty of drama through his signature use of colour, statement pieces and glamorous artwork.
FORMULATING THE DESIGN BRIEF
At the initial briefing stage, our client came to the table with a head full of ideas. Potential themes and styles to incorporate – thoughts on how each room might look and feel. As always, Tim listened closely. Ideas were brainstormed and explored; requirements carefully talked through. Tim then formulated a tight brief for us all to agree on before embarking on the designs.
METROPOLIS MEETS RADIO GAGA GRANDEUR
Two areas of special importance to our client were the grand, double-height entrance hall and the formal drawing room. The brief we settled on for the hall was Metropolis – Battersea Power Station – Radio Gaga Grandeur. And for the drawing room: James Bond’s drawing room where French antiques meet strong, metallic engineered Art Deco pieces. The other rooms had equally stimulating design briefs, which Tim and his team responded to with the same level of enthusiasm.
14.791 Billeder af storstue
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