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Mihaly SlocombeWeather House is a bespoke home for a young, nature-loving family on a quintessentially compact Northcote block.
Our clients Claire and Brent cherished the character of their century-old worker's cottage but required more considered space and flexibility in their home. Claire and Brent are camping enthusiasts, and in response their house is a love letter to the outdoors: a rich, durable environment infused with the grounded ambience of being in nature.
From the street, the dark cladding of the sensitive rear extension echoes the existing cottage!s roofline, becoming a subtle shadow of the original house in both form and tone. As you move through the home, the double-height extension invites the climate and native landscaping inside at every turn. The light-bathed lounge, dining room and kitchen are anchored around, and seamlessly connected to, a versatile outdoor living area. A double-sided fireplace embedded into the house’s rear wall brings warmth and ambience to the lounge, and inspires a campfire atmosphere in the back yard.
Championing tactility and durability, the material palette features polished concrete floors, blackbutt timber joinery and concrete brick walls. Peach and sage tones are employed as accents throughout the lower level, and amplified upstairs where sage forms the tonal base for the moody main bedroom. An adjacent private deck creates an additional tether to the outdoors, and houses planters and trellises that will decorate the home’s exterior with greenery.
From the tactile and textured finishes of the interior to the surrounding Australian native garden that you just want to touch, the house encapsulates the feeling of being part of the outdoors; like Claire and Brent are camping at home. It is a tribute to Mother Nature, Weather House’s muse.
Александра КарабатоваКвартира-студия 45 кв.м. с выделенной спальней. Идеальная планировка на небольшой площади.
Автор интерьера - Александра Карабатова, Фотограф - Дина Александрова, Стилист - Александра Пыленкова (Happy Collections)
Ira SagunОсновная задача: создать современный светлый интерьер для молодой семейной пары с двумя детьми.
В проекте большая часть материалов российского производства, вся мебель российского производства.
Лена Харлова СЕО LedecoroАтмосферная сталинка в Москве
Трёхкомнатная квартира в доме 1958 года постройки. Молодая семейная пара, ребята работают в геймдеве, занимаются маркетингом игр.
Проект интересен:
- организованной и согласованной перепланировкой, в которой уместилось большое количество встроенного хранения корпусами икеа(сецчас их можно заменить серией из хоф) .
- Разместили колонну стиральной и сушильной машин в санузле. Сделали душевую зону из стеклоблоков.
- Сохранили газовое обеспечение, при этом на кухне почти все его следы закрыли.
- Одну комнату оформили под кабинет с перспективой, что там будет актуальна и детская.
- В спальне разместили гардеробную и ещё одно рабочее место, тк ребята периодически работают удалённо.
- Бюджет берегли, применялись правила разумной экономии. В интерьере использованы отреставрированная советская мебель и люстры , сохранена родная резная розетка на потолке.
- Ну и главное: результат перепланировки- избавились от длинного коридора и получили развернутое и воздушное пространство и прекрасный вид при входе. Распашные двери на балкон открывают вид на двор с пышной березой.
– в интерьере много винтажа, собственно и интерьер собирали с купленных хозяйкой винтажных люстр еще до проекта
Paradise Tiny Homes LLCThis Paradise Model ATU is extra tall and grand! As you would in you have a couch for lounging, a 6 drawer dresser for clothing, and a seating area and closet that mirrors the kitchen. Quartz countertops waterfall over the side of the cabinets encasing them in stone. The custom kitchen cabinetry is sealed in a clear coat keeping the wood tone light. Black hardware accents with contrast to the light wood. A main-floor bedroom- no crawling in and out of bed. The wallpaper was an owner request; what do you think of their choice?
The bathroom has natural edge Hawaiian mango wood slabs spanning the length of the bump-out: the vanity countertop and the shelf beneath. The entire bump-out-side wall is tiled floor to ceiling with a diamond print pattern. The shower follows the high contrast trend with one white wall and one black wall in matching square pearl finish. The warmth of the terra cotta floor adds earthy warmth that gives life to the wood. 3 wall lights hang down illuminating the vanity, though durning the day, you likely wont need it with the natural light shining in from two perfect angled long windows.
This Paradise model was way customized. The biggest alterations were to remove the loft altogether and have one consistent roofline throughout. We were able to make the kitchen windows a bit taller because there was no loft we had to stay below over the kitchen. This ATU was perfect for an extra tall person. After editing out a loft, we had these big interior walls to work with and although we always have the high-up octagon windows on the interior walls to keep thing light and the flow coming through, we took it a step (or should I say foot) further and made the french pocket doors extra tall. This also made the shower wall tile and shower head extra tall. We added another ceiling fan above the kitchen and when all of those awning windows are opened up, all the hot air goes right up and out.
Alexander TischlerThe kitchen is divided into two parts. The floor-to-ceiling column cabinets have lots of shelves and contain a built-in refrigerator and a range of appliances. The second part is a minimalist kitchen set with a sink and a cooktop. To illuminate the dining table, we made a chandelier of profile lamps mounted at different heights. We design interiors of homes and apartments worldwide. If you need well-thought and aesthetical interior, submit a request on the website.
Born & Bred StudioSage green kitchen and open plan living space in a newly converted Victorian terrace flat.
Ольга Долидзе Важным местом для семьи также является кухня. Они любят устраивать романтические вечера, красиво сервировать стол. Немецкий гарнитур от компании Leicht выполнен в минималистическом стиле – имеет двухцветное исполнение. Дверные ручки отсутствуют, чтобы не нарушать геометрические пропорции фасадов. На одной стене полностью отсутствует верхний ряд шкафов. Вытяжка и варочная панель BORA Basic в едином модуле. Стена отделана широкоформатным керамогранитом Arch Skin. Одинаковая фактура материалов стен и пола - довольно необычный подход к отделке жилого помещения, но несмотря на визуальный холод материала, создает очень приятное, обволакивающее ощущение. Потолок кухни имеет несколько уровней и вариаций архитектурного освещения «Центрсвет». Гарнитур, стены и потолок - фон. Главным акцентом как раз стал яркий оригинальный стол и стулья. Массивная латунная опора стола Deod от SOVET Italia выполнена в естественном равновесии геометрии. Автор Джанлуиджи Ландони был вдохновлен скульптурными линиями Доломитовых Альп. Стулья Magda Couture от Cattelan Italia в представлении не нуждается. Это новая версия модели, с простёжкой.
Amos Goldreich ArchitectureAmos Goldreich Architecture has completed an asymmetric brick extension that celebrates light and modern life for a young family in North London. The new layout gives the family distinct kitchen, dining and relaxation zones, and views to the large rear garden from numerous angles within the home.
The owners wanted to update the property in a way that would maximise the available space and reconnect different areas while leaving them clearly defined. Rather than building the common, open box extension, Amos Goldreich Architecture created distinctly separate yet connected spaces both externally and internally using an asymmetric form united by pale white bricks.
Previously the rear plan of the house was divided into a kitchen, dining room and conservatory. The kitchen and dining room were very dark; the kitchen was incredibly narrow and the late 90’s UPVC conservatory was thermally inefficient. Bringing in natural light and creating views into the garden where the clients’ children often spend time playing were both important elements of the brief. Amos Goldreich Architecture designed a large X by X metre box window in the centre of the sitting room that offers views from both the sitting area and dining table, meaning the clients can keep an eye on the children while working or relaxing.
Amos Goldreich Architecture enlivened and lightened the home by working with materials that encourage the diffusion of light throughout the spaces. Exposed timber rafters create a clever shelving screen, functioning both as open storage and a permeable room divider to maintain the connection between the sitting area and kitchen. A deep blue kitchen with plywood handle detailing creates balance and contrast against the light tones of the pale timber and white walls.
The new extension is clad in white bricks which help to bounce light around the new interiors, emphasise the freshness and newness, and create a clear, distinct separation from the existing part of the late Victorian semi-detached London home. Brick continues to make an impact in the patio area where Amos Goldreich Architecture chose to use Stone Grey brick pavers for their muted tones and durability. A sedum roof spans the entire extension giving a beautiful view from the first floor bedrooms. The sedum roof also acts to encourage biodiversity and collect rainwater.
Continues
Amos Goldreich, Director of Amos Goldreich Architecture says:
“The Framework House was a fantastic project to work on with our clients. We thought carefully about the space planning to ensure we met the brief for distinct zones, while also keeping a connection to the outdoors and others in the space.
“The materials of the project also had to marry with the new plan. We chose to keep the interiors fresh, calm, and clean so our clients could adapt their future interior design choices easily without the need to renovate the space again.”
Clients, Tom and Jennifer Allen say:
“I couldn’t have envisioned having a space like this. It has completely changed the way we live as a family for the better. We are more connected, yet also have our own spaces to work, eat, play, learn and relax.”
“The extension has had an impact on the entire house. When our son looks out of his window on the first floor, he sees a beautiful planted roof that merges with the garden.”
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
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