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Kitchen Architecture LtdThe seamless indoor-outdoor transition in this Oxfordshire country home provides the perfect setting for all-season entertaining. The elevated setting of the bulthaup kitchen overlooking the connected soft seating and dining allows conversation to effortlessly flow. A large bar presents a useful touch down point where you can be the centre of the room.
Ольга Долидзе Важным местом для семьи также является кухня. Они любят устраивать романтические вечера, красиво сервировать стол. Немецкий гарнитур от компании Leicht выполнен в минималистическом стиле – имеет двухцветное исполнение. Дверные ручки отсутствуют, чтобы не нарушать геометрические пропорции фасадов. На одной стене полностью отсутствует верхний ряд шкафов. Вытяжка и варочная панель BORA Basic в едином модуле. Стена отделана широкоформатным керамогранитом Arch Skin. Одинаковая фактура материалов стен и пола - довольно необычный подход к отделке жилого помещения, но несмотря на визуальный холод материала, создает очень приятное, обволакивающее ощущение. Потолок кухни имеет несколько уровней и вариаций архитектурного освещения «Центрсвет». Гарнитур, стены и потолок - фон. Главным акцентом как раз стал яркий оригинальный стол и стулья. Массивная латунная опора стола Deod от SOVET Italia выполнена в естественном равновесии геометрии. Автор Джанлуиджи Ландони был вдохновлен скульптурными линиями Доломитовых Альп. Стулья Magda Couture от Cattelan Italia в представлении не нуждается. Это новая версия модели, с простёжкой.
Buzz Interior DesignThe carcass of this kitchen was still fine but change in style and colour was desired. The replacement doors were bespokely made by a local Carpenter. Replacement 20mm worktops were installed for a modern look mixed with a marble floor and brass fixtures and fittings. Purewell Electrical (Christchurch) were great in supplying new appliances. The dining table with a chevron effect top with metal legs was made to order and surrounded with blue velvet chairs and Danetti chevron backed bar stools. Villa nova fabric is amazing with its blue and yellow tones. Has an appearance of trees.
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
Mark English Architects, AIAThe Atherton House is a family compound for a professional couple in the tech industry, and their two teenage children. After living in Singapore, then Hong Kong, and building homes there, they looked forward to continuing their search for a new place to start a life and set down roots.
The site is located on Atherton Avenue on a flat, 1 acre lot. The neighboring lots are of a similar size, and are filled with mature planting and gardens. The brief on this site was to create a house that would comfortably accommodate the busy lives of each of the family members, as well as provide opportunities for wonder and awe. Views on the site are internal. Our goal was to create an indoor- outdoor home that embraced the benign California climate.
The building was conceived as a classic “H” plan with two wings attached by a double height entertaining space. The “H” shape allows for alcoves of the yard to be embraced by the mass of the building, creating different types of exterior space. The two wings of the home provide some sense of enclosure and privacy along the side property lines. The south wing contains three bedroom suites at the second level, as well as laundry. At the first level there is a guest suite facing east, powder room and a Library facing west.
The north wing is entirely given over to the Primary suite at the top level, including the main bedroom, dressing and bathroom. The bedroom opens out to a roof terrace to the west, overlooking a pool and courtyard below. At the ground floor, the north wing contains the family room, kitchen and dining room. The family room and dining room each have pocketing sliding glass doors that dissolve the boundary between inside and outside.
Connecting the wings is a double high living space meant to be comfortable, delightful and awe-inspiring. A custom fabricated two story circular stair of steel and glass connects the upper level to the main level, and down to the basement “lounge” below. An acrylic and steel bridge begins near one end of the stair landing and flies 40 feet to the children’s bedroom wing. People going about their day moving through the stair and bridge become both observed and observer.
The front (EAST) wall is the all important receiving place for guests and family alike. There the interplay between yin and yang, weathering steel and the mature olive tree, empower the entrance. Most other materials are white and pure.
The mechanical systems are efficiently combined hydronic heating and cooling, with no forced air required.
Make My House HomeA complete renovation of the ground floor of a victorian property in Wandsworth south london. We opened up the back of the hous eto create one big open plan space moving the kitchen and bringing in large sliding doors to connect the outside with inside. A large shaker style kitchen with modern handles and traditional glass light fittings.
HAUS | Architecture For Modern LifestylesBuilt-in Coffee Make (Miele) in Leicht Cabinets - Bridge House - Fenneville, Michigan - Lake Michigan - HAUS | Architecture For Modern Lifestyles, Christopher Short, Indianapolis Architect, Marika Designs, Marika Klemm, Interior Designer - Tom Rigney, TR Builders
3.707 Billeder af køkken med sorte hvidevarer og hvidt gulv
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