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Mon Concept HabitationCe duplex de 100m² en région parisienne a fait l’objet d’une rénovation partielle par nos équipes ! L’objectif était de rendre l’appartement à la fois lumineux et convivial avec quelques touches de couleur pour donner du dynamisme.
Nous avons commencé par poncer le parquet avant de le repeindre, ainsi que les murs, en blanc franc pour réfléchir la lumière. Le vieil escalier a été remplacé par ce nouveau modèle en acier noir sur mesure qui contraste et apporte du caractère à la pièce.
Nous avons entièrement refait la cuisine qui se pare maintenant de belles façades en bois clair qui rappellent la salle à manger. Un sol en béton ciré, ainsi que la crédence et le plan de travail ont été posés par nos équipes, qui donnent un côté loft, que l’on retrouve avec la grande hauteur sous-plafond et la mezzanine. Enfin dans le salon, de petits rangements sur mesure ont été créé, et la décoration colorée donne du peps à l’ensemble.
New Zealand Certified Builders AssociationThe bivouac theme comes to life in unexpected details throughout. The entrances are designed to feel like you’re walking through a crack in a rock. The inside and outside marry together in an oustanding way.
Architecture Saville IsaacsInterior - Kitchen
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
LMB InteriorsIn the kitchen, tractor seat barstools were sourced (retail) by the client. Another money-saving tactic: The backsplash tile is Heath, but rather than selecting the expensive shapes from the Series 5 collection that our client was drawn to at first, we chose a stock size and shape and created visual interest by installing the tiles in a herringbone pattern. Pendant lights (splurge) from Design Within Reach.
Photo credit: Suzanna Scott
Klopf ArchitectureThe owners, inspired by mid-century modern architecture, hired Klopf Architecture to design an Eichler-inspired 21st-Century, energy efficient new home that would replace a dilapidated 1940s home. The home follows the gentle slope of the hillside while the overarching post-and-beam roof above provides an unchanging datum line. The changing moods of nature animate the house because of views through large glass walls at nearly every vantage point. Every square foot of the house remains close to the ground creating and adding to the sense of connection with nature.
Klopf Architecture Project Team: John Klopf, AIA, Geoff Campen, Angela Todorova, and Jeff Prose
Structural Engineer: Alex Rood, SE, Fulcrum Engineering (now Pivot Engineering)
Landscape Designer (atrium): Yoshi Chiba, Chiba's Gardening
Landscape Designer (rear lawn): Aldo Sepulveda, Sepulveda Landscaping
Contractor: Augie Peccei, Coast to Coast Construction
Photography ©2015 Mariko Reed
Location: Belmont, CA
Year completed: 2015
Tommaso Giunchi ArchitettiCucina di Cesar Cucine; basi in laccato effetto oro, piano e paraspruzzi zona lavabo in pietra breccia imperiale; penili e colonne in fenix grigio; paraspruzzi in vetro retro-verniciato grigio. Pavimento in resina rosso bordeaux. Piano cottura induzione Bora con cappa integrata. Gli angoli delle basi sono stati personalizzati con 3arrotondamenti. Zoccolino ribassato a 6 cm.
3.151 Billeder af køkken med grå stænkplade og betongulv
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