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Architecture Saville IsaacsInterior - Kitchen
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
D for DesignIn the chef’s grade kitchen, a custom hand painted back splash created a graphically subtle backdrop that balanced the light and dark finishes in the room. Caesar Stone countertops were specified along with professional series Sub Zero and Viking stainless steel appliances.
JLDecorrL'ancienne cuisine laquée rouge a laissé place à une cuisine design et épurée, aux lignes pures et aux matériaux naturels, tel que le béton ciré , le bois ou encore l'ardoise et la couleur tendance: le vert
L'idée première pour la rénovation de cette cuisine était d'enlever la couleur laquée rouge de l'ancienne cuisine, les caissons étant en bon état, juste les portes ont été changées.
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Les portes : le choix de la couleur s'est fait naturellement ayant eu un coup de cœur pour le coloris vert BODARP IKEA , la texture velours à fini de me décider pour ce modèle!
Les poignées très design ont été commandées séparément car je souhaitais une ligne pure pour souligner le plan de travail et la couleur des portes
Les placards supplémentaire ont été créés afin de monter jusqu'au plafond et ainsi optimiser l'espace; ajout également de placards dans le retour Bar
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Le retour Bar a été complétement créé, en effet l'ilot central en haricot, un peu démodé, a été supprimé, pour laisser place à un grand plan Bar en chêne massif traité à la résiné époxy pou un maximum de facilité d'entretien. Des placards supplémentaires ont ainsi pu être créés et un grand plan de travail également
Les luminaires ont été ajoutés au dessus du bar afin de souligner cet espace
La crédence en ardoise a été posée sur tout le tour du plan de travail qui lui a été travaillé en béton ciré noir
L'association des ces deux matières naturelles matchent bien, leur couleur étant irrégulières et profondes
Le mur noir côté fenêtre apporte du caractère à la pièce et souligne la crédence et le bois , Les stores vénitiens en bois viennent donner le rappel du bois massif de l'alcôve et du bar
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
L'alcôve déjà présente dans l'ancienne cuisine a été conservé et agrandi afin d'y insérer de la déco et créer un bac végétal pour des plantes aromatiques par exemple. De l'éclairage a été mis en place afin de mettre en valeur la décoration de l'alcôve mais aussi un luminaire spécifique aux plantes afin de leur permettent de pousser dans de bonnes conditions.
Les tabourets quand à eux, ont été dessinés par moi même et créé par un artisan métallier sur mesure
Davonport Kitchen & HomeAfter living in their grade II listed country house for over 3 years, Greg and Karen felt that the size of their kitchen was disproportionate to the rest of the property. Greg commented, “We liked the existing Aga and mantel set-up, but the room was just too small for the house and needed to be updated.” With that in mind, they got in touch with Davonport to help design their dream country kitchen extension.
Set in four-acre grounds with six bedrooms and five reception rooms, the kitchen in the stunning, heavily-timbered property was very compact and isolated from the rest of the home, with no space for formal dining.
Taking the decision to extend the space by more than half again, the couple created room for a spacious kitchen-diner, overlooking their landscaped gardens.
Retaining the existing Aga range oven and mantel was a top priority. The brief was to create a classic style kitchen incorporating a formal area for dining and entertaining guests, including modern appliances to use when the Aga was inactive.
Davonport Tillingham style cabinets with curved pilasters were chosen because of their timeless style and appeal. They were hand-painted in soft neutrals (Farrow and Ball’s Pointing and Green Smoke), topped with an opulent black granite worktop, and finished with polished nickel handles to complete the classic look.
Split into three main zones for cooking, dining, and entertaining, the new room is spacious and airy, reflecting the generous proportions of the rest of the property. In fact, to look at it, you would think it was part of the original property.
A generous rectangular island with breakfast bar frames the kitchen area, providing ample space for food prep and informal seating for two. The new extension also accommodates a large table for formal dining, which is positioned at the end of the room, benefiting from a range of views of the property’s picturesque gardens.
Blue Sound Construction, Inc.Lovely kitchen remodel featuring inset cabinetry, herringbone patterned tile, Cedar & Moss lighting, and freshened up surfaces throughout. Design: Cohesively Curated. Photos: Carina Skrobecki. Build: Blue Sound Construction, Inc.
WOM DESIGNRénovation, agencement et décoration d’une ancienne usine transformée en un loft de 250 m2 réparti sur 3 niveaux.
Les points forts :
Association de design industriel avec du mobilier vintage
La boîte buanderie
Les courbes et lignes géométriques valorisant les espaces
Crédit photo © Bertrand Fompeyrine
Design Perspectives LLC
My client called me in for a "Design Perspective". She hated her floors and wanted my professional opinion. I questioned whether I should be brutally honest, and her response was "absolutely". Then truth be told, "your countertops bother me more than your floors". My client has a stunningly beautiful home and her countertops were not in "the same league". So the project scope expanded from new floors to include countertops, backsplash, plumbing fixtures and hardware. While we were at it, her overly froufrou corbels were updated along with dishwashers that "drove her crazy". Since there was plenty of "demo" in store, she elected to lower her breakfast bar to counter height at the same time to connect her nook more seamlessly with her kitchen.
The process: at our first slab warehouse stop, within ten minutes, we uncovered the most beautiful slabs of Taj Mahal ever. No need to keep looking. The slabs had perfect coloration and veining. So different from any other slab of Taj Mahal, it really ought to have its own name. Countertop selection was easy as was the subway and Arabesque backsplash tile. Polished chrome, with its blend of warm and cool tones, was the obvious choice for her plumbing fixture and hardware finish. Finding the right floor tile was what proved to be most challenging, but my client was up to the task. Several weeks of shopping and numerous samples hauled home led us to the perfect limestone.
Once her room was complete, better barstools were in order. Hancock and Moore with their huge assortment of leather colors and textures was our clear choice. The Ellie barstools selected embody the perfect blend of form and comfort.
Her new limestone flooring extends into her Butler's pantry, pool bath, powder bath and sewing room, so wait, there is still more to do.
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