142 Billeder af retro spisestue med hvidt gulv
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Jennifer Gustafson Interior Design• Custom built-in banquette
• Custom back cushions - Designed by JGID, fabricated by Dawson Custom Workroom
• Custom bench cushions - Knops Upholstery
• Side chair - Conde House Challenge
• Commissioned art
Amish ShowroomThe Vadsco Pedestal table is a modern take on the dining table. The Vadsco table is available in a 42x54" oval shape with 1 - 12" leaf. Also available in 48x54 - with up to 1 - 12" leaf.
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
New Generation Home ImprovementsDesigned by Natalie Myers of Veneer Designs. Photography by Amy Bartlam.
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
2D3D Design, Inc.The new floors were matched to the original 3 1/2" oak boards from the original flooring from the 1930's. They were treated with a white oak stain.
LEICHT SEATTLEAn original Sandy Cohen design mid-century house in Laurelhurst neighborhood in Seattle. The house was originally built for illustrator Irwin Caplan, known for the "Famous Last Words" comic strip in the Saturday Evening Post. The residence was recently bought from Caplan’s estate by new owners, who found that it ultimately needed both cosmetic and functional upgrades. A renovation led by SHED lightly reorganized the interior so that the home’s midcentury character can shine.
LEICHT Seattle cabinet in frosty white c-channel in alum color. Wrap in custom VG Fir panel.
DWELL Magazine article
Design by SHED Architecture & Design
Photography by: Rafael Soldi
LINDA HENDERSHOT INTERIORSOpen dining area seats 6 easily around this oval tulip table. The owner opted for a 3/4" glass top to protect the table's surface during fun family gatherings. Fabric on chairs is COM. Light fixture is by Ellen DeGeneres for Feiss Lighting.
142 Billeder af retro spisestue med hvidt gulv
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