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First Impressions KitchensConstructed from Ash and painted in a satin finish, this Baystone shaker in-frame is a range full of character and charm.
The use of ‘Calico’ and ‘Mineral’ units make this kitchen feel light and airy.
Bespoke colours used in images: Calico & Mineral.
See this kitchen on our website http://firstimpressionskitchens.co.uk/bespoke/baystone/
ChangoInterior Design, Interior Architecture, Custom Furniture Design, AV Design, Landscape Architecture, & Art Curation by Chango & Co.
Photography by Ball & Albanese
Snug KitchensOur Snug Kitchens showroom display combines bespoke traditional joinery, seamless modern appliances and a touch of art deco from the fluted glass walk in larder.
The 'Studio Green' painted cabinetry creates a bold background that highlights the kitchens brass accents. Including Armac Martin Sparkbrook brass handles and patinated brass Quooker fusion tap.
The Neolith Calacatta Luxe worktop uniquely combines deep grey tones, browns and subtle golds on a pure white base. The veneered oak cabinet internals and breakfast bar are stained in a dark wash to compliment the dark green door and drawer fronts.
As part of this display we included a double depth walk-in larder, complete with suspended open shelving, u-shaped worktop slab and fluted glass paneling. We hand finished the support rods to patina the brass ensuring they matched the other antique brass accents in the kitchen. The decadent fluted glass panels draw you into the space, obscuring the view into the larder, creating intrigue to see what is hidden behind the door.
Zimmer Design LLCKitchen renovation replacing the sloped floor 1970's kitchen addition into a designer showcase kitchen matching the aesthetics of this regal vintage Victorian home. Thoughtful design including a baker's hutch, glamourous bar, integrated cat door to basement litter box, Italian range, stunning Lincoln marble, and tumbled marble floor.
CCASA ArchitectsThe kitchen was all designed to be integrated to the garden. The client made great emphasis to have the sink facing the garden so an L shaped kitchen was designed which also serves as kitchen bar. An enormous rooflight brings lots of light into the space.
Cathie Hong InteriorsThis 1956 John Calder Mackay home had been poorly renovated in years past. We kept the 1400 sqft footprint of the home, but re-oriented and re-imagined the bland white kitchen to a midcentury olive green kitchen that opened up the sight lines to the wall of glass facing the rear yard. We chose materials that felt authentic and appropriate for the house: handmade glazed ceramics, bricks inspired by the California coast, natural white oaks heavy in grain, and honed marbles in complementary hues to the earth tones we peppered throughout the hard and soft finishes. This project was featured in the Wall Street Journal in April 2022.
Julia Chasman DesignThese vintage window sashes replaced the early 60's garden window that would never have been in a 1920's house! Farmhouse sink and Bridge faucet from Vintage Tub & Bath.
Mark English Architects, AIAThe Atherton House is a family compound for a professional couple in the tech industry, and their two teenage children. After living in Singapore, then Hong Kong, and building homes there, they looked forward to continuing their search for a new place to start a life and set down roots.
The site is located on Atherton Avenue on a flat, 1 acre lot. The neighboring lots are of a similar size, and are filled with mature planting and gardens. The brief on this site was to create a house that would comfortably accommodate the busy lives of each of the family members, as well as provide opportunities for wonder and awe. Views on the site are internal. Our goal was to create an indoor- outdoor home that embraced the benign California climate.
The building was conceived as a classic “H” plan with two wings attached by a double height entertaining space. The “H” shape allows for alcoves of the yard to be embraced by the mass of the building, creating different types of exterior space. The two wings of the home provide some sense of enclosure and privacy along the side property lines. The south wing contains three bedroom suites at the second level, as well as laundry. At the first level there is a guest suite facing east, powder room and a Library facing west.
The north wing is entirely given over to the Primary suite at the top level, including the main bedroom, dressing and bathroom. The bedroom opens out to a roof terrace to the west, overlooking a pool and courtyard below. At the ground floor, the north wing contains the family room, kitchen and dining room. The family room and dining room each have pocketing sliding glass doors that dissolve the boundary between inside and outside.
Connecting the wings is a double high living space meant to be comfortable, delightful and awe-inspiring. A custom fabricated two story circular stair of steel and glass connects the upper level to the main level, and down to the basement “lounge” below. An acrylic and steel bridge begins near one end of the stair landing and flies 40 feet to the children’s bedroom wing. People going about their day moving through the stair and bridge become both observed and observer.
The front (EAST) wall is the all important receiving place for guests and family alike. There the interplay between yin and yang, weathering steel and the mature olive tree, empower the entrance. Most other materials are white and pure.
The mechanical systems are efficiently combined hydronic heating and cooling, with no forced air required.
Studio DearbornThis expansive Victorian had tremendous historic charm but hadn’t seen a kitchen renovation since the 1950s. The homeowners wanted to take advantage of their views of the backyard and raised the roof and pushed the kitchen into the back of the house, where expansive windows could allow southern light into the kitchen all day. A warm historic gray/beige was chosen for the cabinetry, which was contrasted with character oak cabinetry on the appliance wall and bar in a modern chevron detail. Kitchen Design: Sarah Robertson, Studio Dearborn Architect: Ned Stoll, Interior finishes Tami Wassong Interiors
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