749 Billeder af orange køkken med marmorbordplade
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Andrena Felger / In House Design Co.Custom maple kitchen in a 1920 Mediterranean Revival designed to coordinate with original butler's pantry. White painted shaker cabinets with statuary marble counters. Glass and polished nickel knobs. Dish washer drawers with panels. Wood bead board backspalsh, paired with white glass mosaic tiles behind sink. Waterworks bridge faucet and Rohl Shaw's Original apron front sink. Tyler Florence dinnerware. Glass canisters from West Elm. Wood and zinc monogram and porcelain blue floral fish from Anthropologie. Basket fromDean & Deluca, Napa. Navy stripe Madeleine Weinrib rug. Illy Espresso machine by Francis Francis.
Claudia Uribe
Normandy RemodelingThis gray transitional kitchen consists of open shelving, marble counters and flat panel cabinetry. The paneled refrigerator, white subway tile and gray cabinetry helps the compact kitchen have a much larger feel due to the light colors carried throughout the space.
Photo credit: Normandy Remodeling
Connecticut StonePhoto Credit: Neil Landino,
Counter Top: Connecticut Stone Calacatta Gold Honed Marble,
Kitchen Sink: 39" Wide Risinger Double Bowl Fireclay,
Paint Color: Benjamin Moore Arctic Gray 1577,
Trim Color: Benjamin Moore White Dove,
Kitchen Faucet: Perrin and Rowe Bridge Kitchen Faucet
Pendant Lights: Benson Pendant | Restoration Hardware,
Island Cabinets: Greenfield Custom Cabinetry-Color-Eucalyptus
VIDEO BLOG, EPISODE 2 – FINDING THE PERFECT STONE
Watch this happy client’s testimonial on how Connecticut Stone transformed her existing kitchen into a bright, beautiful and functional space.Featuring Calacatta Gold Marble and Carrara Marble.
Video Link: https://youtu.be/hwbWNMFrAV0
Smith & Vansant Architects PCThis kitchen was formerly a dark paneled, cluttered, and divided space with little natural light. By eliminating partitions and creating a more functional, open floorplan, as well as adding modern windows with traditional detailing, providing lovingly detailed built-ins for the clients extensive collection of beautiful dishes, and lightening up the color palette we were able to create a rather miraculous transformation. The wide plank salvaged pine floors, the antique french dining table, as well as the Galbraith & Paul drum pendant and the salvaged antique glass monopoint track pendants all help to provide a warmth to the crisp detailing.
Renovation/Addition. Rob Karosis Photography
Jenni Leasia Interior DesignThe island is stained walnut. The cabinets are glazed paint. The gray-green hutch has copper mesh over the doors and is designed to appear as a separate free standing piece. Small appliances are behind the cabinets at countertop level next to the range. The hood is copper with an aged finish. The wall of windows keeps the room light and airy, despite the dreary Pacific Northwest winters! The fireplace wall was floor to ceiling brick with a big wood stove. The new fireplace surround is honed marble. The hutch to the left is built into the wall and holds all of their electronics.
Project by Portland interior design studio Jenni Leasia Interior Design. Also serving Lake Oswego, West Linn, Vancouver, Sherwood, Camas, Oregon City, Beaverton, and the whole of Greater Portland.
For more about Jenni Leasia Interior Design, click here: https://www.jennileasiadesign.com/
Fordham Marble Company Inc.Island: Statuary Marble
Counter-tops: Black Absolute Leathered Perimeter
Backsplash: Handmade White Ceramic
Framed area: Mother of Pearl
Behind range: Mosaic
CHROFIElegant and minimalist kitchen in classic marble and soft dark tones.
The Balmoral House is located within the lower north-shore suburb of Balmoral. The site presents many difficulties being wedged shaped, on the low side of the street, hemmed in by two substantial existing houses and with just half the land area of its neighbours. Where previously the site would have enjoyed the benefits of a sunny rear yard beyond the rear building alignment, this is no longer the case with the yard having been sold-off to the neighbours.
Our design process has been about finding amenity where on first appearance there appears to be little.
The design stems from the first key observation, that the view to Middle Harbour is better from the lower ground level due to the height of the canopy of a nearby angophora that impedes views from the first floor level. Placing the living areas on the lower ground level allowed us to exploit setback controls to build closer to the rear boundary where oblique views to the key local features of Balmoral Beach and Rocky Point Island are best.
This strategy also provided the opportunity to extend these spaces into gardens and terraces to the limits of the site, maximising the sense of space of the 'living domain'. Every part of the site is utilised to create an array of connected interior and exterior spaces
The planning then became about ordering these living volumes and garden spaces to maximise access to view and sunlight and to structure these to accommodate an array of social situations for our Client’s young family. At first floor level, the garage and bedrooms are composed in a linear block perpendicular to the street along the south-western to enable glimpses of district views from the street as a gesture to the public realm. Critical to the success of the house is the journey from the street down to the living areas and vice versa. A series of stairways break up the journey while the main glazed central stair is the centrepiece to the house as a light-filled piece of sculpture that hangs above a reflecting pond with pool beyond.
The architecture works as a series of stacked interconnected volumes that carefully manoeuvre down the site, wrapping around to establish a secluded light-filled courtyard and terrace area on the north-eastern side. The expression is 'minimalist modern' to avoid visually complicating an already dense set of circumstances. Warm natural materials including off-form concrete, neutral bricks and blackbutt timber imbue the house with a calm quality whilst floor to ceiling glazing and large pivot and stacking doors create light-filled interiors, bringing the garden inside.
In the end the design reverses the obvious strategy of an elevated living space with balcony facing the view. Rather, the outcome is a grounded compact family home sculpted around daylight, views to Balmoral and intertwined living and garden spaces that satisfy the social needs of a growing young family.
Photo Credit: Katherine Lu
749 Billeder af orange køkken med marmorbordplade
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