109 Billeder af skandinavisk flerfarvet hus

North Fork Bay House
North Fork Bay House
Resolution: 4 ArchitectureResolution: 4 Architecture
Photographer: © Resolution: 4 Architecture
Guesthouse Nýp
Guesthouse Nýp
Studio BuaStudio Bua
The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
The Copenhagen
The Copenhagen
National Association of Home BuildersNational Association of Home Builders
Photography by HD Estates Architect/Designer | Dahlin Group Architecture Planning Builder, Developer, and Land Planner | JayMarc Homes Interior Designer | Aimee Upper Landscape Architect/Designer | Art by Nature
Комфортный загородный дом для Подмосковья 300 м2
Комфортный загородный дом для Подмосковья 300 м2
Архитектурное бюро ГлушковаАрхитектурное бюро Глушкова
Архитектурное бюро Глушкова спроектировало дом для комфортного проживания в Подмосковье. Он не только тёплый и энергосберегающий, но и красивый с комбинированным фасадом.
Design & build in Woodham
Design & build in Woodham
Refined SpaceRefined Space
We took a tired 1960s house and transformed it into modern family home. We extended to the back to add a new open plan kitchen & dining area with 3m high sliding doors and to the front to gain a master bedroom, en suite and playroom. We completely overhauled the power and lighting, increased the water flow and added underfloor heating throughout the entire house. The elegant simplicity of nordic design informed our use of a stripped back internal palette of white, wood and grey to create a continuous harmony throughout the house. We installed oak parquet floors, bespoke douglas fir cabinetry and southern yellow pine surrounds to the high performance windows.
Scandinavian Stoneham
Scandinavian Stoneham
Construction McKinleyConstruction McKinley
Exterior - House by Construction McKinley located in Quebec, Quebec, Canada. Maison par Construction McKinley situé à Québec, Quénec, Canada.
表側外観
表側外観
株式会社武井工務店株式会社武井工務店
表側からは2階建てのような外観で
House on Sunset Ridge
House on Sunset Ridge
Resolution: 4 ArchitectureResolution: 4 Architecture
Photographer: © Resolution: 4 Architecture
arkitektur
arkitektur
Peter Baastrup ProffFOTOPeter Baastrup ProffFOTO
foto: Peter Baastrup - proffFOTO
Guesthouse Nýp
Guesthouse Nýp
Studio BuaStudio Bua
The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

109 Billeder af skandinavisk flerfarvet hus

2
Danmark
Tilpas mine indstillinger ved hjælp af cookies

Houzz bruger cookies og lignende teknologier til at tilpasse min oplevelse, give mig relevant indhold og forbedre Houzz-produkter og -tjenester. Ved at klikke på 'Accepter' accepterer jeg dette, som beskrevet yderligere i Houzz-cookiepolitikken. Jeg kan afvise ikke-essentielle cookies ved at klikke på 'Administrer præferencer'.