466 Billeder af spisestue med brændeovn
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Clémence Jeanjan Décoratrice d'intérieurMes clients désiraient une circulation plus fluide pour leur pièce à vivre et une ambiance plus chaleureuse et moderne.
Après une étude de faisabilité, nous avons décidé d'ouvrir une partie du mur porteur afin de créer un bloc central recevenant d'un côté les éléments techniques de la cuisine et de l'autre le poêle rotatif pour le salon. Dès l'entrée, nous avons alors une vue sur le grand salon.
La cuisine a été totalement retravaillée, un grand plan de travail et de nombreux rangements, idéal pour cette grande famille.
Côté salle à manger, nous avons joué avec du color zonning, technique de peinture permettant de créer un espace visuellement. Une grande table esprit industriel, un banc et des chaises colorées pour un espace dynamique et chaleureux.
Pour leur salon, mes clients voulaient davantage de rangement et des lignes modernes, j'ai alors dessiné un meuble sur mesure aux multiples rangements et servant de meuble TV. Un canapé en cuir marron et diverses assises modulables viennent délimiter cet espace chaleureux et conviviale.
L'ensemble du sol a été changé pour un modèle en startifié chêne raboté pour apporter de la chaleur à la pièce à vivre.
Le mobilier et la décoration s'articulent autour d'un camaïeu de verts et de teintes chaudes pour une ambiance chaleureuse, moderne et dynamique.
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
e-ggComplete refurbishment with ground and first floor extension to semi-detached property in Forest Hill, to optimise tremendous views across the city and create spaces appropriate for family living.
Made To Last Custom Homes Ltd.This rancher features an open concept dining and living space, heated by an energy efficient wood burning fireplace. The floor to ceiling windows and wood beams complete this cozy space.
UserLauren Smyth designs over 80 spec homes a year for Alturas Homes! Last year, the time came to design a home for herself. Having trusted Kentwood for many years in Alturas Homes builder communities, Lauren knew that Brushed Oak Whisker from the Plateau Collection was the floor for her!
She calls the look of her home ‘Ski Mod Minimalist’. Clean lines and a modern aesthetic characterizes Lauren's design style, while channeling the wild of the mountains and the rivers surrounding her hometown of Boise.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
466 Billeder af spisestue med brændeovn
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