72 Billeder af beige u-formet køkken med to køkkenøer eller flere

Bodo Mertuglo

Turnkey Interior Styling

La cucina realizzata sotto al soppalco è interamente laccata di colore bianco con il top in massello di rovere e penisola bianca con sgabelli. Foto di Simone Marulli

Vue de l'ensemble, la fenêtre de toit que l'on aperçoit à été rajoutée et apporte de la lumière à l'espace salle à manger Photo: Maurice Nicolas

2010 HIA Best Large Kitchen of the Year

Création d'une cuisine ouverte dans une maison à la campagne , bois ancien blanchi , bois brut , béton résine pour les plans de travail et sol. Îlot central et linéaire vitrine , linéaire cuisson et îlot 3 faces pour la composition. Piano de cuisson Lacanche moderne vert sauge

Baltimora design by Vuesse with M. Pareschi New classic for a contemporary home Sophisticated appeal and love for tradition in a living kitchen that blends the fascination of the past with an elegant contemporary concept. The Baltimora kitchen in Absolute White Oak features all the warmth of wood and harmony of form together with unprecedented finishes and technological solutions. See more at: http://www.scavolini.us/Kitchens/Baltimora#sthash.RFFG5bCJ.dpuf

An elegant hand painted kitchen in our Modern Shaker style and antique brass hardware Photos by Jake Eastham

Gres Experience Colours and materials Low-thickness porcelain stoneware for cabinet doors, a striking solution Low-thickness porcelain stoneware is made from a ceramic paste cooked at 1150 / 1250 C° and then cooled to room temperature (vitrification). It is often used in modern environments for a contemporary look that is rather urban and industrial, but it can also be used to create more traditional, rustic atmospheres, country and ecological. This striking solution can be applied to Scenery and LiberaMente kitchen models. Why choosing porcelain stoneware in the kitchen? Because stoneware is so strong: it's a material resistant to cuts, abrasions, water and temperature changes, it will not deform and it guarantees an exceptionally long life for surfaces. Because it's widely used for flooring and washable work surfaces. This is why it is particularly well suited for use in the kitchen. Because it's perfect for unprecedented combinations, playing on colours and workings. It offers sensations that reward touch and sight, thanks to the variations of robustness and lightness, continuity and intervals. It's a material that, in addition to its beauty, offers the wealth of possibilities for matching worktops and doors. Gres adds value and, when combined with wooden stains, interprets timeless, versatile elegance. "Open space" stoneware facing illuminates and underlines technological elements in glass and aluminium and ensures effective contrasts with the Vintage Oak finish. This detailed view of the bottom-hinged door shows off the edge-to-edge stoneware facing, which is recommended for those that prefer a persistent “affinity” between surfaces. Symmetry and precision, these are the most evident geometrical aspects of this spacious composition that welcomes and surrounds you with its pleasant elements and essential accessories. A minimalist combination of geometry, functionality and compositional freedom. “Family size” design that thinks ahead, expanding the possibilities of the space and interpreting it in a personal way. Gres expands the perception of volumes of the wall cladding: from the extensive worktop for the processing, cooking and washing area, it moves in a balanced, elegant fashion to the wall units, the formal order of the design, guaranteed by a perfect alternation of dark and light and rectangular and square forms. The “unexpected” inclusion of the oak breakfast bar is a pleasant intrusion. This composition shows how the stoneware can be fitted onto a door supported and surrounded by a light frame that gives the panels an interesting graphic effect.

In this new build detached house, every space, is generous, well proportioned, beautifully lit and related to adjacent accommodation to make for easy living. This project demonstrates the full range of One17’s skills fusing architecture, structures, interior design and project management. Photo credits - John Britton

A variety of furniture styles were deployed in this bespoke kitchen to give the impression that the room had evolved over time. The central kitchen islands were designed in plaster, with hand planed and finished arched chesnut doors at the ends, typical of the local vernacular. The dresser uses bespoke espagnolette ironmongery with rounded inside moulds on the lay-on door frame to introduce a French element, while the furniture flanking the Wolf range oven is more Georgian in feel.

Frédéric Ruault

Brad Read Design Group

Cuisine en noyer avec ilot centrale

Tactico Photography - Bob Clark