- Garage & skur
459 Billeder af asiatisk garage og skur
Our client has a large collection of bonsai trees and wanted an exhibition space for the extensive collection and a workshop to tend to the growing plants. Together we came up with a plan for a beautiful garden with plenty of space and a water feature. The design also included a Japanese-influenced pavilion in the middle of the garden. The pavilion is comprised of three separate rooms. The first room is features a tokonoma, a small recessed space to display art. The second, and largest room, provides an open area for display. The room can be accessed by large glass folding doors and has plenty of natural light filtering through the skylights above. The third room is a workspace with tool storage.
Photography by Todd Crawford
チェルシーフラワーショー2016
出展部門：アーティザンガーデン部門
先品タイトル：『千里千庭 ガレージガーデン』
ゴールドメダル、プレジデント賞のダブル受賞
Bespoke tea house in green oak with Japanese rain chain and decorative balustrade.
You enter the Tea House, named Petunia, through a pair of custom mahogany French Doors.
Glen Grayson, Architect
Dennis Mayer Photographer
Click on the web site link to see a short video featuring this tea house.
Japansk havehus - spotzsch
LaCasita or "The Little House" was conceived an built as an addition to a landscape for the purposes of entertaining and enjoying the space.
This is a different view of the tea house. The low bamboo fence helps to define the relation of the tea house to the garden. The ridge roof architectural style (kirizuma) is very evident in this photo. The roof has layered cedar shingles and is topped at the ridge with Japanese ceramic tiles.
Japansk tehus - spotzsch
One of my favorite objects I've ever created. Just stunning. The Japanese inspired fence work by the firm as well.
Photos by Jay Weiland
Living/Dining/Kitchen/Bedroom = Studio ADU!
Photo by: Peter Chee Photography
Ein sehr schönes 2-Raum Teehaus mit Mondfenster.
Designed to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Designed to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.