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Prentiss Balance Wickline ArchitectsPhotographer: Jay Goodrich
This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone.
The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks.
The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall.
Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.
DAGR Design Custom Home TheaterA media wall can be more than a TV on a wall. DAGR Design listens to what the clients main objective is and designs with style and functionality in mind. Beautiful artwork can be tucked away when viewing the TV and exposed when the TV is no longer needed. Either way, the wall can stand alone as a unique feature to the room.
Johker DesignGorgeous Modern Waterfront home with concrete floors,
walls of glass, open layout, glass stairs,
Design LabLayering neutrals, textures, and materials creates a comfortable, light elegance in this seating area. Featuring pieces from Ligne Roset, Gubi, Meridiani, and Moooi.
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
ODS ArchitectureThe Golden Gate Bridge is directly ahead through the tall glass window wall, and to the right is the open living room, to the left the dining room, all sitting on polished custom colored radiant heated concrete floors.
Photo Credit: John Sutton Photography
SDA ArchitectsAfter the second fallout of the Delta Variant amidst the COVID-19 Pandemic in mid 2021, our team working from home, and our client in quarantine, SDA Architects conceived Japandi Home.
The initial brief for the renovation of this pool house was for its interior to have an "immediate sense of serenity" that roused the feeling of being peaceful. Influenced by loneliness and angst during quarantine, SDA Architects explored themes of escapism and empathy which led to a “Japandi” style concept design – the nexus between “Scandinavian functionality” and “Japanese rustic minimalism” to invoke feelings of “art, nature and simplicity.” This merging of styles forms the perfect amalgamation of both function and form, centred on clean lines, bright spaces and light colours.
Grounded by its emotional weight, poetic lyricism, and relaxed atmosphere; Japandi Home aesthetics focus on simplicity, natural elements, and comfort; minimalism that is both aesthetically pleasing yet highly functional.
Japandi Home places special emphasis on sustainability through use of raw furnishings and a rejection of the one-time-use culture we have embraced for numerous decades. A plethora of natural materials, muted colours, clean lines and minimal, yet-well-curated furnishings have been employed to showcase beautiful craftsmanship – quality handmade pieces over quantitative throwaway items.
A neutral colour palette compliments the soft and hard furnishings within, allowing the timeless pieces to breath and speak for themselves. These calming, tranquil and peaceful colours have been chosen so when accent colours are incorporated, they are done so in a meaningful yet subtle way. Japandi home isn’t sparse – it’s intentional.
The integrated storage throughout – from the kitchen, to dining buffet, linen cupboard, window seat, entertainment unit, bed ensemble and walk-in wardrobe are key to reducing clutter and maintaining the zen-like sense of calm created by these clean lines and open spaces.
The Scandinavian concept of “hygge” refers to the idea that ones home is your cosy sanctuary. Similarly, this ideology has been fused with the Japanese notion of “wabi-sabi”; the idea that there is beauty in imperfection. Hence, the marriage of these design styles is both founded on minimalism and comfort; easy-going yet sophisticated. Conversely, whilst Japanese styles can be considered “sleek” and Scandinavian, “rustic”, the richness of the Japanese neutral colour palette aids in preventing the stark, crisp palette of Scandinavian styles from feeling cold and clinical.
Japandi Home’s introspective essence can ultimately be considered quite timely for the pandemic and was the quintessential lockdown project our team needed.
minimal windows® UKThe house had two bedrooms, two bathrooms and an open plan living and kitchen space.
16.656 Billeder af dagligstue med skifergulv og betongulv
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