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KUBE architectureArchitects Modern
This mid-century modern home was designed by the architect Charles Goodman in 1950. Janet Bloomberg, a KUBE partner, completely renovated it, retaining but enhancing the spirit of the original home. None of the rooms were relocated, but the house was opened up and restructured, and fresh finishes and colors were introduced throughout. A new powder room was tucked into the space of a hall closet, and built-in storage was created in every possible location - not a single square foot is left unused. Existing mechanical and electrical systems were replaced, creating a modern home within the shell of the original historic structure. Floor-to-ceiling glass in every room allows the outside to flow seamlessly with the interior, making the small footprint feel substantially larger. all,photos: Greg Powers Photography
Michael Tavano DesignThis living room is centered on the art and the views, so Michael kept the walls white. Photo: Rick Lew
Ann Lowengart InteriorsA fun, fresh, and inviting transitional space with blue and green accents and lots of natural light - designed for a family in mind yet perfect for entertaining. Design by Annie Lowengart and photo by David Duncan Livingston.
Featured in Marin Magazine May 2013 issue seen here http://digital.marinmagazine.com/marinmagazine/201305/?pg=112&pm=2&u1=friend
Albert, Righter & Tittmann Architects, Inc.Hillside Farmhouse sits on a steep East-sloping hill. We set it across the slope, which allowed us to separate the site into a public, arrival side to the North and a private, garden side to the South. The house becomes the long wall, one room wide, that organizes the site into its two parts.
The garage wing, running perpendicularly to the main house, forms a courtyard at the front door. Cars driving in are welcomed by the wide front portico and interlocking stair tower. On the opposite side, under a parade of dormers, the Dining Room saddle-bags into the garden, providing views to the South and East. Its generous overhang keeps out the hot summer sun, but brings in the winter sun.
The house is a hybrid of ‘farm house’ and ‘country house’. It simultaneously relates to the active contiguous farm and the classical imagery prevalent in New England architecture.
Photography by Robert Benson and Brian Tetrault
Hobbs' Ink, LLCThis Neo-prairie style home with its wide overhangs and well shaded bands of glass combines the openness of an island getaway with a “C – shaped” floor plan that gives the owners much needed privacy on a 78’ wide hillside lot. Photos by James Bruce and Merrick Ales.
LDa Architecture & InteriorsRenovation/Interior Design Services.
Photography: Greg Premru Photography
COSWICK LTDDark Chocolate is a rich color tone that creates a warm and cozy atmosphere and highlights other elements of interior decor. It fits with just about any space, but works best in well-lit interiors, where lights brings out the full richness of color. Dark Chocolate creates a stylish, unique and delicate look.
Dark Chocolate engineered oak flooring comes prefinished with matte lacquer CosNanoTech+ finish. CosNanoTech+ matte provides all the protection of traditional CosNanoTech+ finish while preserving the matte sheen that makes floors very forgiving by concealing footprints, dust, as well as other signs of wear. CosNanoTech+ matte floors have a 25-year finish warranty. Dark Chocolate matte flooring is available as 3-layer single strip CosLoc 5G flooring.
KUBE architectureComplete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
O’Hara InteriorsMartha O'Hara Interiors, Interior Selections & Furnishings | Charles Cudd De Novo, Architecture | Troy Thies Photography | Shannon Gale, Photo Styling
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