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Brandler LondonThis penthouse unit in a warehouse conversion offers a glimpse into the home life of a celebrity. Reclaimed joists removed from the warehouse were given a new life and reinstalled as the bespoke kitchen doors, shelves and island. This kitchen and dining room of this three-level penthouse use the midlevel floor exclusively, creating the hub of the property. It is a space designed specifically for cooking, dining, entertaining, and relaxation. Concrete, metal, and wood come together in a stunning composition of orthogonal lines.
Vetter ArchitectsA tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
Vetter ArchitectsA tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
Kitchen Design ConceptsThis 1950's kitchen hindered our client's cooking and bi-weekly entertaining and was inconsistent with the home's mid-century architecture. Additional key goals were to improve function for cooking and entertaining 6 to 12 people on a regular basis. Originally with only two entry points to the kitchen (from the entry/foyer and from the dining room) the kitchen wasn’t very open to the remainder of the home, or the living room at all. The door to the carport was never used and created a conflict with seating in the breakfast area. The new plans created larger openings to both rooms, and a third entry point directly into the living room. The “peninsula” manages the sight line between the kitchen and a large, brick fireplace while still creating an “island” effect in the kitchen and allowing seating on both sides. The television was also a “must have” utilizing it to watch cooking shows while prepping food, for news while getting ready for the day, and for background when entertaining.
Meticulously designed cabinets provide ample storage and ergonomically friendly appliance placement. Cabinets were previously laid out into two L-shaped spaces. On the “top” was the cooking area with a narrow pantry (read: scarce storage) and a water heater in the corner. On the “bottom” was a single 36” refrigerator/freezer, and sink. A peninsula separated the kitchen and breakfast room, truncating the entire space. We have now a clearly defined cool storage space spanning 60” width (over 150% more storage) and have separated the ovens and cooking surface to spread out prep/clean zones. True pantry storage was added, and a massive “peninsula” keeps seating for up to 6 comfortably, while still expanding the kitchen and gaining storage. The newly designed, oversized peninsula provides plentiful space for prepping and entertaining. Walnut paneling wraps the room making the kitchen a stunning showpiece.
ESTUDI A L'ÀTIC. Benvinguts al Slow Design!La madera de la cocina nos tiene enamoradas, conseguir superficies tan cálidas en un espacio normalmente tan frio nos encantó! Una buena disposición de sus elementos consigue disimular que se trata de la cocina dentro del salón-comedor.
De nuevo, buscábamos contrastes y elegimos el microcemento como base de esta cálida cocina. Paredes grises nos hacen destacar el mobiliario, y suelo negro contrasta con el parquet de roble natural de lamas paralelas del resto de la vivienda.
Brandler LondonAn Edwardian house refurbishment, this kitchen was formed by knocking together two existing rooms and extending into the garden with bi-fold doors and a glass roof. Reclaimed wood beams, exposed steels, and original Benjamin Electric pendant lights create a domestic yet industrial feel. The deeply weathered, raw, reclaimed barn wood used on the bank of tall kitchen units is illuminated from above to highlight their fiercely ravaged surfaces.
Dado Interior Design
The Challenge
This original mid-century Colorado Springs home hadn’t been updated in 40 years. We were tasked with transforming a dysfunctional, outdated space into a seamless design that maintained the integrity of the original architecture - including a challenging layout, seven different flooring types, and old lighting and electrical.
The Solution
Within a limited budget we streamlined the finish palette with natural materials to play with the concept of indoor/outdoor living; gutted the bedrooms and combined two guest rooms into one large master suite; updated the electrical with recessed cans and Noguchi fixtures (which pay homage to the home’s 1960s roots); and filled the home with new furniture and accessories that speak to the homeowner’s love of modern design.
Dado Interior Design
Location: Denver, CO, USA
Photographed by: JC Buck
605 Billeder af køkken med skabe i mellemfarvet træ og sort gulv
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