1.536 Billeder af moderne hus med glasfacade
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Thomas Roszak Architecture, LLCPhotography-Hedrich Blessing
Glass House:
The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery.
This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change.
The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.
Princeton Architectural PressFalse Bay Writer's Cabin in San Juan Island, Washington by Olson Kundig Architects.
Photograph by Tim Bies.
Stelle Lomont Rouhani ArchitectsHouse By The Pond
The overall design of the house was a direct response to an array of environmental regulations, site constraints, solar orientation and specific programmatic requirements.
The strategy was to locate a two story volume that contained all of the bedrooms and baths, running north/south, along the western side of the site. An open, lofty, single story pavilion, separated by an interstitial space comprised of two large glass pivot doors, was located parallel to the street. This lower scale street front pavilion was conceived as a breezeway. It connects the light and activity of the yard and pool area to the south with the view and wildlife of the pond to the north.
The exterior materials consist of anodized aluminum doors, windows and trim, cedar and cement board siding. They were selected for their low maintenance, modest cost, long-term durability, and sustainable nature. These materials were carefully detailed and installed to support these parameters. Overhangs and sunshades limit the need for summer air conditioning while allowing solar heat gain in the winter.
Specific zoning, an efficient geothermal heating and cooling system, highly energy efficient glazing and an advanced building insulation system resulted in a structure that exceeded the requirements of the energy star rating system.
Photo Credit: Matthew Carbone and Frank Oudeman
Wheeler Kearns Architectsconstruction - goldberg general contracting, inc.
interiors - sherry koppel design
photography - Steve hall / hedrich blessing
landscape - Schmechtig Landscapes, Wade Harvey, project director
Stelle Lomont Rouhani ArchitectsHouse and garden design become a bridge between two different bodies of water: gentle Mecox Bay to the north and wild Atlantic Ocean to the south. An existing house was radically transformed as opposed to being demolished. Substantial effort was undertaken in order to reuse, rethink and modify existing conditions and materials. Much of the material removed was recycled or reused elsewhere. The plans were reworked to create smaller, staggered volumes, which are visually disconnected. Deep overhangs were added to strengthen the indoor/outdoor relationship and new bay to ocean views through the structure result in house as breezeway and bridge. The dunescape between house and shore was restored to a natural state while low maintenance building materials, allowed to weather naturally, will continue to strengthen the relationship of the structure to its surroundings.
Photography credit:
Kay Wettstein von Westersheimb
Francesca Giovanelli
Titlisstrasse 35
CH-8032 Zurich
Switzerland
1.536 Billeder af moderne hus med glasfacade
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