523 Billeder af moderne spisestue med pejseindramning i beton
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Alair Homes PlanoWe gave this 1978 home a magnificent modern makeover that the homeowners love! Our designers were able to maintain the great architecture of this home but remove necessary walls, soffits and doors needed to open up the space.
In the living room, we opened up the bar by removing soffits and openings, to now seat 6. The original low brick hearth was replaced with a cool floating concrete hearth from floor to ceiling. The wall that once closed off the kitchen was demoed to 42" counter top height, so that it now opens up to the dining room and entry way. The coat closet opening that once opened up into the entry way was moved around the corner to open up in a less conspicuous place.
The secondary master suite used to have a small stand up shower and a tiny linen closet but now has a large double shower and a walk in closet, all while maintaining the space and sq. ft.in the bedroom. The powder bath off the entry was refinished, soffits removed and finished with a modern accent tile giving it an artistic modern touch
Design/Remodel by Hatfield Builders & Remodelers | Photography by Versatile Imaging
Michelle Kohl InteriorsA limited palette of black, white and grey is warmed up with teak furniture and walnut hardwood flooring in this modern, organic kitchen/dining room with a mid century feel.
Bekom DesignDesigners: Susan Bowen & Revital Kaufman-Meron
Photos: LucidPic Photography - Rich Anderson
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Construction McKinleyHome by / Maison par: Construction McKinley
www.constructionmckinley.com
Prix Nobilis 2016
LavishOpen Concept Kitchen and Family Room. Designed by Suzi Kaloti, staged by Ali Amer, Artwork by Shawn Skeir.
Agence DIDCréation d'une salle-à-manger conformément à la demande du client.
Seulement étant donné sa génération et son mode de vie moderne, il était préférable de moderniser l'idée de la salle à manger, en y intégrant la cuisine...
=> Au moyen d'un bar.
Il permet "d'ouvrir" la cuisine (et de la fermer en cas d'odeur grâce aux volets-écrans montés sur un système à galandage), d'apporter de la lumière indirecte dans la cuisine et finalement, d'introduire une touche américaine - pour rappeler ses origines - dans un décor chic et élégant.
La petite demande "Décoration" du client: intégrer la table de son grand-père...
C'est chose faite: elle est même au centre des convives!
523 Billeder af moderne spisestue med pejseindramning i beton
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