7.042 Billeder af retro entré
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Denver Design GroupA mudroom where the kids can shrug off their backpacks and remove their messy footwear before entering other parts of the home and a space that also serves as a functional catchall for hats, coats, pet leashes, and sports equipment.
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Katie Hutchison StudioConstructed in two phases, this renovation, with a few small additions, touched nearly every room in this late ‘50’s ranch house. The owners raised their family within the original walls and love the house’s location, which is not far from town and also borders conservation land. But they didn’t love how chopped up the house was and the lack of exposure to natural daylight and views of the lush rear woods. Plus, they were ready to de-clutter for a more stream-lined look. As a result, KHS collaborated with them to create a quiet, clean design to support the lifestyle they aspire to in retirement.
To transform the original ranch house, KHS proposed several significant changes that would make way for a number of related improvements. Proposed changes included the removal of the attached enclosed breezeway (which had included a stair to the basement living space) and the two-car garage it partially wrapped, which had blocked vital eastern daylight from accessing the interior. Together the breezeway and garage had also contributed to a long, flush front façade. In its stead, KHS proposed a new two-car carport, attached storage shed, and exterior basement stair in a new location. The carport is bumped closer to the street to relieve the flush front facade and to allow access behind it to eastern daylight in a relocated rear kitchen. KHS also proposed a new, single, more prominent front entry, closer to the driveway to replace the former secondary entrance into the dark breezeway and a more formal main entrance that had been located much farther down the facade and curiously bordered the bedroom wing.
Inside, low ceilings and soffits in the primary family common areas were removed to create a cathedral ceiling (with rod ties) over a reconfigured semi-open living, dining, and kitchen space. A new gas fireplace serving the relocated dining area -- defined by a new built-in banquette in a new bay window -- was designed to back up on the existing wood-burning fireplace that continues to serve the living area. A shared full bath, serving two guest bedrooms on the main level, was reconfigured, and additional square footage was captured for a reconfigured master bathroom off the existing master bedroom. A new whole-house color palette, including new finishes and new cabinetry, complete the transformation. Today, the owners enjoy a fresh and airy re-imagining of their familiar ranch house.
Photos by Katie Hutchison
LMB InteriorsFeaturing a vintage Danish rug from Tony Kitz Gallery in San Francisco.
We replaced the old, traditional, wooden door with this new glass door and panels, opening up the space and bringing in natural light, while also framing the beautiful landscaping by our colleague, Suzanne Arca (www.suzannearcadesign.com). New modern-era inspired lighting adds panache, flanked by the new Dutton Brown blown-glass and brass chandelier lighting and artfully-round Bradley mirror.
Photo Credit: Eric Rorer
building Lab, inc.Eichler in Marinwood - At the larger scale of the property existed a desire to soften and deepen the engagement between the house and the street frontage. As such, the landscaping palette consists of textures chosen for subtlety and granularity. Spaces are layered by way of planting, diaphanous fencing and lighting. The interior engages the front of the house by the insertion of a floor to ceiling glazing at the dining room.
Jog-in path from street to house maintains a sense of privacy and sequential unveiling of interior/private spaces. This non-atrium model is invested with the best aspects of the iconic eichler configuration without compromise to the sense of order and orientation.
photo: scott hargis
Klopf ArchitectureThere were to many disjointed spaces in the existing Eichler home, and the owners didn’t like entering right into the kitchen wall. There were not enough functional spaces in the house but it was tricky to see how or where to add to the home without losing the atrium. The Klopf team re-arranged the spaces in the house to put the bedroom functions under the flat, 8-foot ceiling and the whole great room under the higher gable roof, moving the kitchen to the corner and creating a symmetrical and regular-shaped great room. A narrow band of skylights and a reduced, but still open, atrium brighten the family’s days and bring more greenery into their lives. The Klopf team turned the small front bedroom into a laundry room, powder room, and hallway to a large, added work-from-home office/family room that can double as a guest room. From the street the addition looks like it might have been there all along, but for the family members it’s a game-changer.
Klopf Architecture Project Team: John Klopf, AIA, Lucie Danigo, and Biliana Stremska
Structural Engineer: Sezen & Moon
General Contractor: Keycon Inc.
Kitchen Cabinetry: Henrybuilt
Photography: ©2023 Mariko Reed
Year Completed: 2020
LEICHT SEATTLEAn original Sandy Cohen design mid-century house in Laurelhurst neighborhood in Seattle. The house was originally built for illustrator Irwin Caplan, known for the "Famous Last Words" comic strip in the Saturday Evening Post. The residence was recently bought from Caplan’s estate by new owners, who found that it ultimately needed both cosmetic and functional upgrades. A renovation led by SHED lightly reorganized the interior so that the home’s midcentury character can shine.
LEICHT cabinet in frosty white c-channel in alum color. Wrap in custom VG Fir panel.
DWELL Magazine article
DeZeen article
Design by SHED Architecture & Design
Photography by: Rafael Soldi
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