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Charles Petersheim, BuilderExterior of this modern country ranch home in the forests of the Catskill mountains. Black clapboard siding and huge picture windows.
Atlas ArchitectsThe front facade is composed of bricks, shiplap timber cladding and James Hardie Scyon Axon cladding, painted in Dulux Blackwood Bay.
Photography: Tess Kelly
Susan Yeley HomesThis gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus.
When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back.
With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open.
In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.
ProTEK PaintersIn this close up view of the side of the house, you get an even better idea of the previously mentioned paint scheme. The fence shows the home’s former color, a light brown. The new exterior paint colors dramatically show how the right color change can add a wonderful fresh feel to a house.
Dale Tu PhotographyThe home is split into two upper volumes suspended over a stone base, breaking down the mass and bulk of the building, to respect the scale of the neighborhood. The stone visually anchors the project to the ground, while the metal cladding provides a durable and low-maintenance material while maintaining a contemporary look. Stained cedar clads the inside of the volume, providing warmth and richness to the material palette, and creates a welcoming lantern-like effect at the entry during the evenings.
Completion Interior Design & ArchitectureEXTERIOR. Our clients had lived in this barn conversion for a number of years but had not got around to updating it. The layout was slightly awkward and the entrance to the property was not obvious. There were dark terracotta floor tiles and a large amount of pine throughout, which made the property very orange!
On the ground floor we remodelled the layout to create a clear entrance, large open plan kitchen-dining room, a utility room, boot room and small bathroom.
We then replaced the floor, decorated throughout and introduced a new colour palette and lighting scheme.
In the master bedroom on the first floor, walls and a mezzanine ceiling were removed to enable the ceiling height to be enjoyed. New bespoke cabinetry was installed and again a new lighting scheme and colour palette introduced.
Dallas Builders AssociationThe Rosa Project, John Lively & Associates
Special thanks to: Hayes Signature Homes
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