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Tobi Fairley Interior DesignWall color is Sherwin-Williams Shoji White SW7042. Chandelier and lamps are Visual Comfort. Dining table and chairs from Hickory Chair, mirror is Worlds Away.
LMB InteriorsPart of the former kitchen, the bay window created a cozy place for a built in custom settee and table.
Upholstered in soft leather and surrounded by windows, the booth accommodates casual family meals, homework, or curling up with a book in a sunny corner. Hidden, motorized shades protect diners from low, afternoon sun.
The table, fabricated from the wooden beams once used to support barrels in an old winery, were transformed into a rustic, kid-proof table
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Anderson Architecture, PLLCWell proportioned room highlights unique antiques.
Glen Dickerson photographer
ChangoInterior Design, Interior Architecture, Custom Furniture Design, AV Design, Landscape Architecture, & Art Curation by Chango & Co.
Photography by Ball & Albanese
ArtichokeArtichoke was asked to design a decorative solution for the bespoke kitchen and staircase in this Georgian villa. A veneered wall containing a pair of pocket sliding doors was designed in stained ash with black walnut let in to form the shadow gaps between panels. The dresser cabinet, containing crockery and glassware, is made from oak and stained to a Basalt colour to contrast with the wall panels behind. The door stiles are designed to follow the shape of the recessed handles.
The long side board is divided by an oak top with a bowl carved into it. The front edge of the honed marble is mitred with a vertical front of oak that supports it.
Primary materials: Painted cabinetry, stained ash and oak veneer, Nero Marquina marble.
66.071 Billeder af stor spisestue
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