701 Billeder af stue med brændeovn og pejseindramning i beton
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Orion Heating - Woodburning StovesNordpeis Taipei fireplace and woodburner. @Orion Heating - Woodburning Stoves and Gas fires in Essex. Exclusive fireplace showroom for top European brands.
Bryanoji Design StudioThe architect minimized the finish materials palette. Both roof and exterior siding are 4-way-interlocking machined aluminium shingles, installed by the same sub-contractor to maximize quality and productivity. Interior finishes and built-in furniture were limited to plywood and OSB (oriented strand board) with no decorative trimmings. The open floor plan reduced the need for doors and thresholds. In return, his rather stoic approach expanded client’s freedom for space use, an essential criterion for single family homes.
バークレーの風一級建築士事務所70年という月日を守り続けてきた農家住宅のリノベーション
建築当時の強靭な軸組みを活かし、新しい世代の住まい手の想いのこもったリノベーションとなった
夏は熱がこもり、冬は冷たい隙間風が入る環境から
開口部の改修、断熱工事や気密をはかり
夏は風が通り涼しく、冬は暖炉が燈り暖かい室内環境にした
空間動線は従来人寄せのための二間と奥の間を一体として家族の団欒と仲間と過ごせる動線とした
北側の薄暗く奥まったダイニングキッチンが明るく開放的な造りとなった
Casa VectisCozy reading retreat...photo & design by Tam Ghidini from CASA VECTIS...eclectic reading corner in this cozy Isle of Wight home. A splash of colour added by books and a cozy and cool throw, perfect for a lazy Sunday morning!
Dynia ArchitectsLocated near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court.
A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape.
A.I.A Wyoming Chapter Design Award of Citation 2017
Project Year: 2008
株式会社kotori勾配天井、現しにした登り梁、土間の中央に据えられた薪ストーブ、南の全面開口がリビングの大空間を特徴づけています。薪ストーブで暖まりながら孫の子守り、そんな生活が想像できそうな二世帯住宅です。
UserNow can we just talk about these windows? And this view? It’s like love at first sight, truly! And we wanted to take full advantage of this large bright space and keep in open but with an edge of modern sophistication. The clean lines of white, black and glass were balanced with the softness of the light wood accents. And if you’ve been following along with us for a while you know how we love to mix materials and this room really showcases that.
And we have to talk about this piano for a minute – we are OBSESSED with this white, vintage-looking piano and wanted to make it a focal! We love to incorporate pieces that a client already has and this piano was the perfect addition to this room. Using this black & white custom wall mural emphasized piano keys and was just the right touch of WOW without taking away from the rest of the space
Zweiheit InnenarchitektenOffenes Wohnzimmer mit drehbarem Sofa, Kamin, offener Treppe zur Galerie mit Holzlamellen.
AmberthOn entering this home, the entrance hall naturally narrows slightly as a you move from the hall to the living room, with no door separating the two spaces. A wood burning fire, wooden logs, storage baskets and a radiator all sit neatly within the recess of the wall, creating a seamless look whilst allowing each element to bring personality to the room.
Photo credit: David Giles
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
701 Billeder af stue med brændeovn og pejseindramning i beton
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