1.806 Billeder af dagligstue med brændeovn og beige gulv
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LLI DesignIn the living and dining rooms new light greyed oak parquet floors and traditional white marble fireplaces were specified.
Bespoke pale grey lacquer joinery was designed and installed either side of the fireplaces in both rooms, incorporating plenty of storage, with asymmetrical shelving which was lit with individual accent in joinery spotlights. At the side of one of the fireplaces a black steel log store was incorporated.
Both the dining and living rooms had the original ornate plaster ceilings, however they had been painted white throughout and were visually lost. This feature was brought back by painting the plaster relief in close, but contrasting, tones of grey to emphasis the detail.
Trickle Creek Designer HomesWe love this cozy but bright living room, it's perfect for snuggling up with the family!
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Island Cottage is an existing dwelling constructed in 1830, in a conservation area at the southern limit of Sidlesham Quay village, West Sussex. The property was highlighted by the local authority as a key example of rural vernacular character for homes in the area, but is also sited in a major flood risk area. Such a precarious context therefore demanded a considered approach, however the original building had been extended over many years mostly with insensitive and cumbersome extensions and additions.
Our clients purchased Island Cottage in 2015. They had a strong sense of belonging to the area, as both had childhood memories of visiting Pagham Harbour and were greatly drawn to live on the South Coast after many years working and living in London. We were keen to help them discover and create a home in which to dwell for many years to come. Our brief was to restore the cottage and reconcile it’s history of unsuitable extensions to the landscape of the nature reserve of Sidlesham and the bay of Pagham beyond. The original house could not be experienced amongst the labyrinthine rooms and corridors and it’s identity was lost to recent additions and refurbishments. Our first move was to establish the lines of the original cottage and draw a single route through the house. This is experienced as a simple door from the library at the formal end of the house, leading from north to south straight towards the rear garden on both floors.
By reinstating the library and guest bedroom/bathroom spaces above we were able to distinguish the original cottage from the later additions. We were then challenged by the new owners to provide a calm and protective series of spaces that make links to the landscape of the coast. Internally the cottage takes the natural materials of the surrounding coastline, such as flint and timber, and uses these to dress walls and floors. Our proposals included making sense of the downstairs spaces by allowing a flowing movement between the rooms. Views through and across the house are opened up so to help navigate the maze like spaces. Each room is open on many sides whilst limiting the number of corridor spaces, and the use of split levels help to mark one space to the next.
The first floor hosts three bedrooms, each of unique style and outlook. The main living space features a corner window, referencing an open book set into the wall at the height of a desk. Log burners, sliding doors, and uncovered historic materials are part of the main reception rooms. The roof is accessible with a steep stair and allows for informal gathering on a grass terrace which gains views far beyond the immediate gardens and neighbouring nature reserve. The external facades have been uplifted with larch cladding, new timber windows, and a series of timber loggias set into the gardens. Our landscaping strategy alleviates flood risk by providing a bung to the garden edge, whilst encouraging native species planting to take over the new timber structure that is directly connected to the house. This approach will help to plant the house in its surroundings, which is vital given the local connection to the Sidlesham Nature Reserve.
Throughout the project the client sourced much of the interior finishes and fixtures directly from salvage yards and online second hand boutiques. The house is decorated with reclaimed materials referencing the worn and weary effect of time spent on the beach or at the sea side.
Now complete, the house genuinely feels reconciled to its place, a haven for our clients, and an exemplary project for our future clients who wish to link their childhoods with their future homes.
Studio DeanThe exposed wooden beams are one of our favorite features of this property. We love how they look combined with the dark concrete feature wall and the black kitchen and the way they contrast the light natural paint on the walls.
CranberryhomeWe were asked to put together designs for this beautiful Georgian mill, our client specifically asked for help with bold colour schemes and quirky accessories to style the space. We provided most of the furniture fixtures and fittings and designed the panelling and lighting elements.
Design Storey1950s inspired living room with original crittall windows
Furniture: L'una Design
Photo Credit: Colin Poole
Karen Beckwith CreativeDesign Copyright Karen Beckwith Creative. Photography by Scott Barrow Photography.
株式会社kotori開放的な、リビング・土間・ウッドデッキという構成が、奥へ行けば、落ち着いた、和室・縁側・濡縁という和の構成となり、その両者の間の4枚の襖を引き込めば、一体の空間として使うことができます。柔らかい雰囲気の杉のフローリングを走り廻る孫を見つめるご家族の姿が想像できる仲良し二世帯住宅です。
1.806 Billeder af dagligstue med brændeovn og beige gulv
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