10.938 Billeder af hus

Maison FV
Maison FV
Atelier Ose ArchitectureAtelier Ose Architecture
Jouant avec les reflets de lumière, la nouvelle peau de zinc Azengar de cette maison traditionnelle initie un dialogue subtil avec son environnement, et lui donne un second souffle. À l’occasion de travaux de rénovation énergétique et de surélévation, le choix de ce matériau est rapidement apparu comme une évidence. À la fois noble et pérenne, utilisable aussi bien en bardage qu’en toiture, l’exploitation de son potentiel a permis un traitement fin des détails de retournement pour créer une enveloppe continue, comme un écrin. La teinte Azengar, douce et naturelle, en plus de réfléchir le contexte, est sensible aux variations d’ambiances et change légèrement de coloration au gré des conditions météorologiques. L’étage est entièrement isolé par l’extérieur, et la modification de charpente côté Nord dégage un nouvel espace, qui est totalement réaménagé. Ce dernier est redivisé en deux parties : la plus importante fait office de salle multimédia (pour le sport, les jeux et l’installation d’un home cinema), tandis que l’autre est transformée en une chambre d'amis d'environ 17 m². Plus qu’une simple séparation, l’élément épais qui les délimite est un véritable meuble intelligent : intégrant tantôt des étagères, tantôt une kitchenette, l’accès à la salle-de-bains ou encore des placards, il répond à de nombreuses fonctions, toutes regroupées en un unique bloc sculpté par les usages. Bien identifiable, en pin maritime contreplaqué, il structure l’espace et lui donne une atmosphère chaleureuse. Afin de rendre l’accès à la chambre d’ami indépendant, un escalier extérieur en métal à deux volées est créé dans le prolongement de l’escalier existant en béton. Orientés plein Sud sur la rue, les panneaux photovoltaïques et les grands Velux exploitent au maximum les apports solaires. Côté jardin au Nord, un ensemble de fenêtres fixes et coulissantes en aluminium occupe quant-à-lui toute la largeur de la partie surélevée, offrant au regard la contemplation d’un paysage boisé.
Unusual side extension in Highgate
Unusual side extension in Highgate
Architect Your HomeArchitect Your Home
The clever roof structure gave the extension a wonderful sense of internal volume as well as bringing light deeper into the dining room area.
1930s Semi-Detached Extension
1930s Semi-Detached Extension
Home Architecture - Newbury, BerkshireHome Architecture - Newbury, Berkshire
Part two storey and single storey extensions to a semi-detached 1930 home at the back of the house to expand the space for a growing family and allow for the interior to feel brighter and more joyful.
Urban Cottage
Urban Cottage
alsoCAN ArchitectsalsoCAN Architects
Hemmed in by houses on a tiny urban site, a gable roofed addition along one side is tucked behind the cottage allowing for the living room on the other side to have vaulted ceilings.
Marshall House
Marshall House
Paul Cashin ArchitectsPaul Cashin Architects
Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Casa per Vacanze | 80 MQ
Casa per Vacanze | 80 MQ
Luca Donazzolo architettoLuca Donazzolo architetto
Rivestimenti e serramenti in legno di larice naturale. Manto di copertura in scandole di legno, lattoneria in alluminio nero. Pavimentazione esterna in piastre di porfido "incertum". Foto: Daniele Rodorigo
Lucas Residence
Lucas Residence
FMSA ArchitectureFMSA Architecture
Photographer: Andrew Latreille Designed and construction managed by FMSA, the Lucas Residence is an example of a modern coastal architecture. Overlooking Davies Bay the residence is designed to capture the views across Port Phillip Bay to the Melbourne city skyline whilst the building form shelters the external deck from the prevailing south westerly winds. Internally, the main living and bedroom spaces are orientated towards the bay utilising expanses of glazing to maintain this visual connection. Natural Ironbark timber cladding, together with panels of untreated zinc and painted sheet panelling are used externally to ground the home in the landscape. Recycled blackbutt flooring, glazing and neutral palette contribute to a warm natural elegance to the interior spaces. The residence was designed to meet the requirements of Bushfire Attack Level (BAL) 29. Surrounded by landscaped garden using native grasses and locally indigenous shrubs that surround the building with a finely textured and varied foliage creating privacy where needed and enhancing view corridors to the bay.
New Farm House
New Farm House
Vibe Design GroupVibe Design Group
Design by Vibe Design Group Photography by William Long
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