640 Billeder af lille rækkehus
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Brosh ArchitectsThe renovation and rear extension to a lower ground floor of a 4 storey Victorian Terraced house in Hampstead Conservation Area.
Four Walls ArchitectureAt night the house glows lantern-like in the street, with fun contrast between the black and white cladding.
:thatstudio chartered architectsA modest single storey extension to an attractive property in the crescent known as Hilltop in Linlithgow Bridge. The scheme design seeks to create open plan living space with kitchen and dining amenity included.
Large glazed sliding doors create connection to a new patio space which is level with the floor of the house. A glass corner window provides views out to the garden, whilst a strip of rooflights allows light to penetrate deep inside. A new structural opening is formed to open the extension to the existing house and create a new open plan hub for family life. The new extension is provided with underfloor heating to complement the traditional radiators within the existing property.
Materials are deliberately restrained, white render, timber cladding and alu-clad glazed screens to create a clean contemporary aesthetic.
Think ArchitectsModern bright and clean lined townhouses boasting 3 bedrooms, 2.5 Bathrooms and substantial living areas in a compact narrow site of only 6m wide each.
The RMR GroupPhotography Credit: Pippa Wilson Photography.
This exterior shot of the rear extension of this Victorian terrace house shows the dark wood outdoor deck area, complemented by the dark wood fence, which offsets the pale oak engineered herringbone flooring of the open plan kitchen diner.
Michelle Walker architectsrear addition in conservation area, cladding, louvre windows, metal roof, kitchen,living, courtyard
Rowan Turner Photography
Brooks + Scarpa ArchitectsLocated in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade.
While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building.
The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.
Dickson Architects LimitedShou Sugi Ban black charred larch boards provide the outer skin of this extension to an existing rear closet wing. The charred texture of the cladding was chosen to complement the traditional London Stock brick on the rear facade. This is capped by a custom folded metal shadow trim. As part of the drainage design, to avoid the need to accommodate internal pipework the existing rain water pipe was rerouted and hidden behind the parapet.
Photos taken by Radu Palicia, London based photographer
Architect Your HomeEven a small side extension can create a space that transforms you home and life.
Lacey ArchitectureTimber clad soffit with folded metal roof edge. Dark drey crittall style bi-fold doors with ashlar stone side walls.
White and Gray Architecture Design DevelopModern injection to a traditional facade, full height glazed bi-fold door bringing the outside in.
640 Billeder af lille rækkehus
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