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Jan Nelson Landscape DesignInteresting colorful perennials along path the sitting area. Photo by Jan Nelson
Exterior Worlds Landscaping & DesignThe problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Casa Smith Designs, LLCThis large pot, made by A. Silvestri, San Francisco, softens a corner.
Photo Credit: Mark Pinkerton, vi360
Lankford Associates Landscape ArchitectsBeach side patio with meandering river rock path lined with flowering thyme, sedum, ornamental grasses. Located on the shores of Puget Sound in Washington State.
Schmechtig LandscapesRequest Free Quote
A side yard patio border and plant bed ideas in Barrington Hills, Illinois by Schmechtig Landscapes featuring boxwood plant bed border and lilac trees.
Exterior Worlds Landscaping & DesignA couple by the name of Claire and Dan Boyles commissioned Exterior Worlds to develop their back yard along the lines of a French Country garden design. They had recently designed and built a French Colonial style house. Claire had been very involved in the architectural design, and she communicated extensively her expectations for the landscape.
The aesthetic we ultimately created for them was not a traditional French country garden per se, but instead was a variation on the symmetry, color, and sense of formality associated with this design. The most notable feature that we added to the estate was a custom swimming pool installed just to the rear of the home. It emphasized linearity, complimentary right angles, and it featured a luxury spa and pool fountain. We built the coping around the pool out of limestone, and we used concrete pavers to build the custom pool patio. We then added French pottery in various locations around the patio to balance the stonework against the look and structure of the home.
We added a formal garden parallel to the pool to reflect its linear movement. Like most French country gardens, this design is bordered by sheered bushes and emphasizes straight lines, angles, and symmetry. One very interesting thing about this garden is that it is consist entirely of various shades of green, which lends itself well to the sense of a French estate. The garden is bordered by a taupe colored cedar fence that compliments the color of the stonework.
Just around the corner from the back entrance to the house, there lies a double-door entrance to the master bedroom. This was an ideal place to build a small patio for the Boyles to use as a private seating area in the early mornings and evenings. We deviated slightly from strict linearity and symmetry by adding pavers that ran out like steps from the patio into the grass. We then planted boxwood hedges around the patio, which are common in French country garden design and combine an Old World sensibility with a morning garden setting.
We then completed this portion of the project by adding rosemary and mondo grass as ground cover to the space between the patio, the corner of the house, and the back wall that frames the yard. This design is derivative of those found in morning gardens, and it provides the Boyles with a place where they can step directly from their bedroom into a private outdoor space and enjoy the early mornings and evenings.
We further develop the sense of a morning garden seating area; we deviated slightly from the strict linear forms of the rest of the landscape by adding pavers that ran like steps from the patio and out into the grass. We also planted rosemary and mondo grass as ground cover to the space between the patio, the corner of the house, and the back wall that borders this portion of the yard.
We then landscaped the front of the home with a continuing symmetry reminiscent of French country garden design. We wanted to establish a sense of grand entrance to the home, so we built a stone walkway that ran all the way from the sidewalk and then fanned out parallel to the covered porch that centers on the front door and large front windows of the house. To further develop the sense of a French country estate, we planted a small parterre garden that can be seen and enjoyed from the left side of the porch.
On the other side of house, we built the Boyles a circular motorcourt around a large oak tree surrounded by lush San Augustine grass. We had to employ special tree preservation techniques to build above the root zone of the tree. The motorcourt was then treated with a concrete-acid finish that compliments the brick in the home. For the parking area, we used limestone gravel chips.
French country garden design is traditionally viewed as a very formal style intended to fill a significant portion of a yard or landscape. The genius of the Boyles project lay not in strict adherence to tradition, but rather in adapting its basic principles to the architecture of the home and the geometry of the surrounding landscape.
For more the 20 years Exterior Worlds has specialized in servicing many of Houston's fine neighborhoods.
Home & Garden Design, Atlanta - Danna Cain, ASLAThis house could not be seen from the street, so the owners wanted something that would catch the eye and be welcoming. We created a second entrance of sorts with the focal point stairs that lead the eye into the woodland and provide a glimpse of the home. The river stone wall hints at the mountain cabin home that will soon be seen. These meandering walls weave thru the landscape and add much interest to this previously linear and boring view. Large drifts of low maintenance ground covers and perennials were used for seasonal color. A few colorful annuals are scattered around in a purposeful manner to look like natural drifts of wildflowers.
Photographer: Danna Cain, Home & Garden Design, Inc.
98.827 Billeder af have i fuld sol
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