3.577 Billeder af sort hus

David Straight

Matthew Ware

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Paul Craig

Paul Craig ©Paul Craig 2014 All Rights Reserved. Architect: Charles Barclay Architects

The design consists of a low scale private street frontage that takes from the simplicity of the new Japanese aesthetic. A double-height, light-filled space has been incorporated into the existing core of the home where the stand-alone kitchen pod and dining area is situated.

New thermally insulated timber cladding not only improves energy efficiency but updated the exterior of this tired 1960s detached house.

Twelve Black is a contemporary family home designed for comfort, function and quiet drama. The design centres around a refined black palette, softened by natural light and grounded in durable, low-maintenance materials—ideal for a busy family lifestyle. Open-plan living spaces connect seamlessly to the outdoors, with a functional layout that balances communal areas and private retreat zones. Thoughtfully detailed joinery, built-in storage and a flexible kitchen and dining hub support modern day-to-day living. While bold in appearance, the home’s simplicity allows family life to take centre stage.

The rear structures orientate towards a northern central courtyard, and its Japanese Maple tree that becomes the visual anchor from all rooms facing the courtyard. The open-plan layout of the Living and Kitchen spaces facilitate and promote the concept of ‘indoor/outdoor living’ whilst ensuring clever passive design principles were practically and successfully employed throughout the house. Photo by Tess Kelly.

The Open-Plan living extension seamlessly integrates itself into the Natural Environment.

Deep recessed windows against textural reclaimed brick, timber and landscaping inform a contemporary and warm entry. Photography: Tess Kelly

Glenn Hester Photography

Jack Lovell

Photographer Alex Reinders

This is a great photo of the exterior cladding and black framed windows of this cubist home. The floor to ceiling windows on the ground floor enjoy views to the pool on one side of the home and the tennis court on the other. Sarah Wood Photography